Starbuck: a middle-aged slacker gets the wake-up call of his life when a lawyer informs him that he has fathered 533 children through a series of sperm donations from 20 years ago. First off, this is one of the few genuinely feel-good, heartwarming, upbeat films I can remember watching – the majority of films in this genre suffer from being far too sickly or cheesy. Director Ken Scott gets the tone absolutely perfect, as it juggles ‘happy viewing’ with enough drama and comedy to keep it interesting and varied. The film looks fantastic for the duration, great use of colour, imagery, locations, that lead to a pop-art, borderline dreamy effect. It’s a ballsy and unique directorial style, but complements the film perfectly. Patrick Huard, as the lead, is a solid screen presence that – no matter what he’s doing – manages to stay entertaining. The film’s kept fairly safe in that it’s never portrayed as creepy that the guy is unknowingly interfering in the kid’s lives, and that ethical / acceptance issues are glossed over, it also gets a little sappy as the ending approaches. The vibe of the film reminds me of ‘Love Me if you Dare‘, both colourful, artistic, upbeat and undeniably French. Starbuck wasn’t much of a hit in the cinemas in the UK, but it is an absolutely top-drawer feel-good comedy film, and a European gem.
Note: naturally, with this being such a good film, Hollywood has decided to give this the Vince Vaughn treatment – renamed ‘The Delivery Man’. I’d love for him to prove me wrong, but I don’t think that Mr Vaughn has anywhere near the amount of charm or magnetism to match Patrick Huard’s performance.