Thirst: after a failed experiment a priest develops an urge to drink human blood, it doesn’t help that the world thinks he’s blessed by god, and he’s falling in love. For most of the runtime the film never really ups gear, remaining slow and intense from start to finish – the setup in particular takes time to get going. Adding to the mood are some morbid undertones (suicidal priest, very awkward sex scene etc). The final act feels like a jumbled-up mess, with lots of sudden developments and a lot to tie up, although the last scenes do save the movie. Much like OldBoy, JSA, I’m a Cyborg, and Sympathy for Mr vengeance, Park Chan Wook’s streak of offbeat, oddball and very, very black humour crops up to provide some guilty laughs. Leading man Song Kang-ho is superb to watch as his character wrestles between his moral/religious background and new-found vampire urges. The scariest part of the film is how technically proficient and well-directed it is, no matter how dingy or clinical the settings are, they’re immaculately planned, framed to perfection, and the camera movement is immense… this guy is, without a doubt, one of the best directors in the world. Whilst Thirst is a fresh, poetic, and ultra-stylish take on the crammed vampire genre, its own silver bullet is the slow pacing and lack of drama for the most part. It’s not a bad film, by any stretch, but will probably appeal most to goths and fans of vampires / blood / self-harming / sex.
Leon: story of a hitman that takes a 12 year-old under his wing, trains her up and slowly becomes more human in the process. Leon’s pretty complex: made out to be one of the most badass men in the history of cinema in the action scenes, yet comes across as quite coy and simple in others. Gary Oldman’s intense villain is a bit over-acted. The original score dominates many of the scenes and despite being set in New York it’s unmistakably French & has loads of cheeky trademark Besson bits. My favourite aspect of this film is that it plays on the peculiarities and mystique of hitmen / assassins: they come from nowhere, vanish into thin air, can take out swat teams and bodyguards… and scope out every new location. Upon re-watching this for the first time in years it wasn’t as awesome as I remember, hasn’t really aged well (totally 80s) and the plot’s full of massive holes, not to mention severe bouts of police malpractice. It can’t really pass as an action flick because there’s only two action scenes, and as mentioned the story’s pretty flawed. What’s left is a piece of trademark Besson fantasy that’s good, but seems to enjoy an uncannily large ‘best film ever’ reputation.
Summer Heights High: set over the course of a school term this eight episode mockumentary follows three characters; a camp drama teacher, private-school girl on exchange and disruptive Polynesian kid. Not for the P.C crowd, the series constantly throws up jokes about disabilities, gingers, suicide, molestation, drugs, rape… basically, nothing is taboo. There’s some great running gags through the episodes and the characters are all solid, well-resreached / acted & genuinely humorous. Not without is faults the series does start to drag around he 5th/6th episode, some dialogue gets lost in scenes with several people talking or arguing (particularly with the girls) and the majority of the laugh-out-loud parts are crude, relying more on shock. Between the believable way that it’s shot and the harsh content it wouldn’t be too obvious that it was a comedy if you found this channel surfing. The breakdancing ‘Polly’ character (Jonah) and Mr G’s play at the end were my highlights of the show. What ‘Neighbours’ should be like!