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The Good Wife (Season 3): following on directly from Season 2, we follow Alicia and her law firm Lockhart/Gardner through another bout of legal battles. I don’t know how they do it but the cases from each episode are unbelievably up to date – superinjunctions / killer computer gamers / internet money / pharmaceutical lawsuits… The central characters and a handful of smaller roles remain consistent and are continually developed, within story arcs that are still both intense and engaging. Season three goes further in exploring and pushing the dynamics between these characters too, and with acting this good, it simply makes for brilliant viewing. New characters and stories are drafted in as late as the penultimate episode, which does leave the finale a bit too open-ended for me, but it’s still a major cliffhanger. Alicia remains superb; Will shines in the first half, but fades out in the second; Diane is dynamite; Carry and Eli get more meaty roles; and even Chris Noth kicks it up to the next level. Although it’s not dominating, there’s an emphasis on silly stories and comedy characters to broaden the show’s appeal in this season: anything involving the kids is usually ridiculous and unnecessary; the tangent featuring cheese & food lobbying is beyond stupid, not to mention unfunny; also, characters like Will’s sisters feel like they’ve been plopped in the wrong show – these elements do nothing but bring down the highbrow tone and detract from the drama – what’s worse is that there’s more than enough entertainment in the established characters played by Alan Cumming, Zach Grenier, Michael J Fox,  and Dylan Baker – to mention a few. As far as quality TV goes, The Good Wife doesn’t have much competition at the moment, and with the exception of a one poorly judged side-story and a few stupid minor characters this show hits more home runs than Barry Bonds. Phenomenally well-written, well-balanced, well-acted, well-directed, funny, dramatic, twisty, unpredictable, confrontation, love, lust, and it’s all believable… I can’t recommend this show enough, but do yourself a favour and start from the very beginning.

Score: 9/10

Also, a big shout out to the people at The Good Wife fan forum who brought me a load of traffic last year! Cheers.


The Good Wife (Season 2): looks at a housewife-turned-lawyer whose husband is jailed after a sex scandal. The structure of this show is great – each episode is a stand alone court case, however there are always several stories playing out in the background spanning large parts of the series. Instead of focusing just on the court cases (could become boring territory) this does well to juggle courtroom, political, and family storylines. What makes it stand out is that it feels very current – we see politicians/investigators utilising twitter, youtube, foursquare and memes; the cases  also mirror characters & events from recent high-profile headlines. Some other plus points are the brilliant writing, great casting, stunningly acted (other than Chris Noth), has too many great characters to mention, is believabile, and with Ridley & Tony Scott watching over the production you can’t really ask for more from a TV show. There are a couple of slow episodes, and one ridiculous one (Chavez), but other than those this series is TV Gold, that draws you right in to the stories – you punch the air in pivotal courtroom moments and invest in the central characters. At 23 episodes long this could have dragged, but it’s the 7 day wait between them feels like an eternity.

Score: 9/10

[Would recommend starting at season 1 – which is also great]