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GODFATHER 01 Francis Ford Coppola, Marlon Brando, Al Pacino, James Caan, Richard S. Castellano, Robert Duvall, Diane Keaton, John Cazale, Talia Shire, Abe Vigoda, Al Lettieri, Lenny Montana, Al Martino, Alex Rocco,The Godfather: first of three movies based on Mario Puzo’s tale of the Sicilian Mafia in New York, circa 1945-1955. There’s no denying that certain aspects of the film are great: it’s littered with original, shocking, powerful, and iconic scenes; there’s page after page of beautifully written dialogue (monologues and large conversations); the cast is truly monumental, and almost everyone is outstanding in their character’s portrayal. My biggest problem with The Godfather is that the sound mix is atrocious and – worse still – some character’s accents are so thick and/or non-enunciated that I watched the entire film with subtitles, in order to make any sense of some characters. Another flaw in the movie is that it could have been edited down, a lot; there’s entire sections of the film that have minimal impact on the story, but drag on and refuse to end (wedding, Sicily…). The direction’s OK – although editing is fairly rough – and the score really adds a punch to the movie. Perhaps this suffers from the ‘Chinatown Effect’ in that a mixture of lifelong hype, and the movie’s impact being far greater when it was released, that modern audiences are left a little cold and short-changed after seeing it. The Godfather feels like a great film diluted down into a good film, but ‘best film of all time’… sit your guinea-wop ass down in front of the tube, put on Godfellas, and tell me this is better – if ya do, ya’ll be sleeping with the fishes, see?

Score: 6/10

GODFATHER 02 Francis Ford Coppola, Marlon Brando, Al Pacino, James Caan, Richard S. Castellano, Robert Duvall, Diane Keaton, John Cazale, Talia Shire, Abe Vigoda, Al Lettieri, Lenny Montana, Al Martino, Alex Rocco,


City Island: Centers ’round a prison guard correctional officer that secretly wants to become an actor, and many other secrets within his dysfunctional family. Despite being a family-based ‘comedy of errors’ (which should be boring by now) this totally works, mostly because of its brilliant little story, that remains interesting, and never loses the pace. It’s also funnier than a lot of all-out ‘comedies’, with a whole heap of scenes and jokes that range from observational to the absurd, to the cringey – peaking in a fantastic audition, and final 15 minutes. Although you usually watch actors trying play inexperienced actors through your fingers Garcia plays a total blinder here, going the full range and nailing every scene. Everyone else in the film is also great, nobody lets the side down. The only minor downer is the convenient-yet-convoluted plot – although the film needs it, and it does work itself out in the end. There’s also a bizarre feeder/BBW side story that isn’t 100% utilised or wrapped up. City Island will no doubt prove to be a sleeper DVD hit, as it’s an absolute stunner of an indie gem, that strikes a great balance between natural comedy and emotive moments.

Score: 8/10