The Godfather

The Godfather: first of three movies based on Mario Puzo’s tale of the Sicilian Mafia in New York, circa 1945-1955. There’s no denying that certain aspects of the film are great: it’s littered with original, shocking, powerful, and iconic scenes; there’s page after page of beautifully written dialogue (monologues and large conversations); the cast is truly monumental, and almost everyone is outstanding in their character’s portrayal. My biggest problem with The Godfather is that the sound mix is atrocious and – worse still – some character’s accents are so thick and/or non-enunciated that I watched the entire film with subtitles, in order to make any sense of some characters. Another flaw in the movie is that it could have been edited down, a lot; there’s entire sections of the film that have minimal impact on the story, but drag on and refuse to end (wedding, Sicily…). The direction’s OK – although editing is fairly rough – and the score really adds a punch to the movie. Perhaps this suffers from the ‘Chinatown Effect’ in that a mixture of lifelong hype, and the movie’s impact being far greater when it was released, that modern audiences are left a little cold and short-changed after seeing it. The Godfather feels like a great film diluted down into a good film, but ‘best film of all time’… sit your guinea-wop ass down in front of the tube, put on Godfellas, and tell me this is better – if ya do, ya’ll be sleeping with the fishes, see?

Score: 6/10