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JAPANORAMA - Seven Monkey BANNER JAPAN-O-RAMA.jpg01 Baby Cart to Hades Tomisaburo Wakayama, Akihiro Tomikawa , Go Kato, Yuko Hamada, Isao Yamagata, Michitaro Mizushima, Ichirô Nakatani, Akihiro Tomikawa, Sayoko Katô, Jun Hamamura, Daigo KusanoLone Wolf and Cub: Baby Cart to Hades (子連れ狼: 死に風に向う乳母車, Kozure Ôkami: Shinikazeni mukau ubaguruma): Ogami Itto saves the honour of a prostitute, which leads to more work as a hired assassin. It’s yet another film that’s packed with effortless cool – slicing down the bamboo trees, ninjas fall down, Bish! Bash! Bosh! Corpses everywhere! This is definitely more wordy than the previous two outings, and the first half is overly similar to a previous story (protecting prozzies honour). The second half isn’t that memorable either, at least not until the absolute bloodbath of a finale. Wakayama plays his character with far more grit than before, he’s colder, and his dialogue is delivered with the most authoritative growl you could imagine. Poor kid though, how much bloodshed should one child be exposed to!?!? Another big game-changer is that this is the first movie in the series to feature guns, which takes the edge – and part of the appeal – from the sword fighting / showdowns. Whilst it’s not a bad film, Baby Cart to Hades isn’t really in the same league as the first two movies, and feels like it’s re-treading some plotlines.

Score: 5.5/10

02 Baby Cart To Hades Tomisaburo Wakayama, Akihiro Tomikawa , Go Kato, Yuko Hamada, Isao Yamagata, Michitaro Mizushima, Ichirô Nakatani, Akihiro Tomikawa, Sayoko Katô, Jun Hamamura, Daigo Kusanom03 Baby Cart to Hades Tomisaburo Wakayama, Akihiro Tomikawa , Go Kato, Yuko Hamada, Isao Yamagata, Michitaro Mizushima, Ichirô Nakatani, Akihiro Tomikawa, Sayoko Katô, Jun Hamamura, Daigo Kusano04 Baby Cart to Hades Tomisaburo Wakayama, Akihiro Tomikawa , Go Kato, Yuko Hamada, Isao Yamagata, Michitaro Mizushima, Ichirô Nakatani, Akihiro Tomikawa, Sayoko Katô, Jun Hamamura, Daigo Kusano05 Baby Cart to Hades Tomisaburo Wakayama, Akihiro Tomikawa , Go Kato, Yuko Hamada, Isao Yamagata, Michitaro Mizushima, Ichirô Nakatani, Akihiro Tomikawa, Sayoko Katô, Jun Hamamura, Daigo Kusano06 Baby Cart To Hades Tomisaburo Wakayama, Akihiro Tomikawa , Go Kato, Yuko Hamada, Isao Yamagata, Michitaro Mizushima, Ichirô Nakatani, Akihiro Tomikawa, Sayoko Katô, Jun Hamamura, Daigo Kusano07 Baby Cart to Hades Tomisaburo Wakayama, Akihiro Tomikawa , Go Kato, Yuko Hamada, Isao Yamagata, Michitaro Mizushima, Ichirô Nakatani, Akihiro Tomikawa, Sayoko Katô, Jun Hamamura, Daigo Kusano

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Having just booked a trip to Japan for this summer I’ve decided to use  it as the perfect opportunity to watch the huge pile of Japanese movies I’ve been slinging into my cupboard for the past 10 years.

Japan’s culture has always been absolutely fascinating to me, particularly their cinematic output – or at least what we can get our hands on in the West. Many of the Japanese films I’ve seen are easily among the most eclectic I’ve seen when it comes to both style and subject matter, and it’s probably the only country where Yakuza, Ninjas, Robots, Monsters, Samurai and Martial Artists appear to be fairly ‘mainstream’ movies.

For the next 6 months I’ll be consuming and reviewing all of the major genres and themes that have defined Japanese cinema on the world stage: 1950s Samurai Epics, J-Horror of the 2000s, 80s/90s Sci-Fi & Cyberpunk, 4 decades of Yakuza flicks, Monster Movies and some of the most bizarre and unique one-off films the country has to offer. The viewing list is fairly big, but a list as varied as: Branded to Kill, Wild Zero, Zatochi, Babycart (Lone Wolf and Cub), Ghost in the Shell, Akira, Ichi the Killer, Seven Samurai, Tokyo Story, Tetsuo: Iron Man, Tokyo Gore Police, Tokyo Decadence, Lady Snowblood, Godzilla – to name but a few.

I’ll also take a look at how Japan (and East Asia) has been portrayed in Western movies over the years, which hasn’t always been positive; bringing to mind things like the fairly racist stereotypes like Mr Yunioshi from Breakfast at Tiffany’s (played by a caucasian – not uncommon), everyone as a Yakuza (Black Rain), student nerds (almost every high-school film), exotic and erotic females and so on. I can barely think of a single Japanese character in a major Hollywood film that wasn’t nerdy / socially inept / over-disciplined / tech savvy / submissive etc.

As always, I’m happy to take on any film suggestions providing I can get my hands on it easily enough. Also happy to team up with other bloggers, publish some guest reviews, collaborations etc – so please get in touch if you’re interested!

Cheers, and I hope you enjoy it.

/Paul

Current reading: Battle Royale13 AssassinsSukiyaki Western DjangoGozuThe Machine GirlSurvive Style 5+Tokyo Zombie20th Century BoysHana-BiVersus

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