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Tag Archives: Kerry Bishé

Argo: one of the CIA’s clandestine experts creates a ‘real’ fake movie as the perfect cover-up to bring home 6 diplomats stuck behind enemy lines. The most obvious thing about Argo is the phenomenally chosen cast, particularly from the TV sphere; people representing Braking Bad, 24, The Good Wife, etc – everyone is on great form, doing their parts for the movie. Arkin and Goodman in particular get many great lines, which helps maintain the delicate balance between the drama & peril, and a tongue-in-cheek – almost knockabout – look at Hollywood in the early 80s (with a loving streak of appreciation for Sci-Fi B-movies). On that note, the immaculate, uncompromising, period detail adds an unusually thick layer of authenticity to the story. The film’s book-ended by some ridiculously tense, well-directed, moments of a siege and the final throes of an escape. There are a few minor issues; it feels a little longer than it needed to be, some of the drama comes from contrived methods (like the old “run that through the system again” trick); also, although it’s not a ‘political’ film per se – but it reeks of AMERICA, FUCK YEAH!! Bottom line, Argo is a solid, balanced (if somewhat over-dramatised), political/historical thriller, held together by a superb cast. It also looks like Ben Affleck is fast becoming one of the best Actor’s Directors around.

Score: 7/10

Red State: a kidnapping, turns into a hostage situation, which goes south pretty quickly from there. Be warned: this is nothing like anything Kev Smith previously done. For me, Smith films are defined by his ridiculously snappy / witty / unrealistic dialogue – none of those traits were overly abundant, but conversations are still not quite natural. There’s a mumble jumble of social commentary, gunfighting, politics, government handling of situations and blood-splattering gore; none of which were pushed to the front of the film, giving it a bouncy tone and a premise that constantly changes. In saying that, it’s all quite enjoyable and entertaining at the time, but ultimately the cinema equivalent of junk food – it fills a 90 minute void -isn’t too memorable! Cast-wise, Goodman steals every scene, but is closely followed by Park’s ultra-extreme rambling hate Baptist. It reminded me a lot of Burn after Reading in a ‘govt f-up’ way, especially the abrupt wrap-up, although it’s not quite in the same league.

Score: 5.5/10