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OSS 117 Cairo Nest of Spies Couple Jean Dujardin Philippe Lefebvre Aure Atika Bérénice Bejo François Damiens Richard Sammel Khalid Maadour Laurent Bateau Éric Prat Claude Brosset

OSS 117: Cairo, Nest of Spies – a send up of 50s/60s spy movies centered on a French secret agent, who travels to Cairo to find out who killed his colleague. The brightest star of this is 117, the dim-witted spy (based on the Connery era Bond) who’s played superbly as a likable idiot by Jean Dujardin. He pulls off all of the jokes, centered around the chauvinism, cultural stereotyping and stupidity of ‘classic’ spy films. The riffs about Islam feel a bit risqué given what’s happened in the 10 years since this was made, but like Mel Brooks or Zucker Brothers films, the jokes are too surreal and innocent to take too much offence from – like the running gags about veal stew, flashbacks, and noisy chickens. The entire film looks and feels authentically 1960s, with very basic camera movements, a lovely ‘technicolour’ palette, and retro effects; matched with cracking kitsch sets, props, and costumes. As a comedy, this is sold: I chortled constantly through the first hour, and although it runs a tad flatter in the last 30 mins or so, it’s still more than entertaining enough. No doubt this plays better to French people, who will catch a lot of the ‘throwaway’ stuff; but still, OSS 117 Cairo, Nest of Spies is a delight to watch, expertly pairing both silly and smart gags, making it a must-see for Bond and Spy fans; particularly of things like The Naked Gun, Austin Powers, Danger 5, Pink Panther, Top Secret!, etc, etc

Score: 7/10

OSS 117 Cairo Nest of Spies Dusty Car Jean Dujardin Philippe Lefebvre Aure Atika Bérénice Bejo François Damiens Richard Sammel Khalid Maadour Laurent Bateau Éric Prat Claude BrossetOSS 117 Cairo Nest of Spies Tied to bed Jean Dujardin Philippe Lefebvre Aure Atika Bérénice Bejo François Damiens Richard Sammel Khalid Maadour Laurent Bateau Éric Prat Claude BrossetOSS 117 Cairo Nest of Spies Tied Up Jean Dujardin Philippe Lefebvre Aure Atika Bérénice Bejo François Damiens Richard Sammel Khalid Maadour Laurent Bateau Éric Prat Claude Brosset

Taken 3 Bryan Mills, Liam Neeson, Forest Whitaker, Maggie Grace, Famke Janssen, Dougray Scott, Sam Spruell, Jon Gries, David Warshofsky, Jonny Weston,

Taken3: when he’s framed for the murder of his wife ‘Dad of the year’ Bryan Mills needs to clear his name, and keep his daughter out of danger. For a blockbuster film the action sequences are frustratingly disappointing – looks like they’d been filmed for a more violent edit, then cut down to get the lowest certificate possible; leaving them disjointed, and Neeson looking like he’s barely trying (Seagal in Russia style). More generally, everything about this is lifted and slightly shifted from the first movie: he meets the wife, but they’re getting on slightly better; there’s a torture scene, but it’s waterboarding instead of electricity; he meets the lads, but they’re golfing instead of BBQ-ing; they have a chase, but instead of a boat, it’s a plane; Kim’s gift it a teddy bear instead of a karaoke machine… There’s too much time spent re-treading overly familiar ground, trying to add depth to one-dimensional (and already established) characters and relationships – at the expanse of time that should have been piling up Eastern-European bodies. Despite being a derivative and inferior shadow of the first movie, Taken 3 is nowhere near as terrible as the 1* reviews would suggest; it’s just that with the first film being so great the sequels taste all the more bitter.

Score: 4/10

More widely; the Taken trilogy (and Expendables) perfectly sum up the problem with successful “one-hit wonders”. Both were originally Hard-18 blood-and-guts nasty / B-movies, kneecapped to a more timid 15 for the second installment, then a paralysing 12A for the third – removing any semblance of the original films which weren’t actually all that different, but had the edge in terms of violence, and no expectations

Taken 3 Panda Bryan Mills, Liam Neeson, Forest Whitaker, Maggie Grace, Famke Janssen, Dougray Scott, Sam Spruell, Jon Gries, David Warshofsky, Jonny Weston,

FuckYeaPANDA: So long, and thanks for all the dosh

GoldenEye: [Spoilers] when a global terrorist organisation steals a civilisation-busting weapon system called GoldenEye only one super spy can save the world from the looming doom.

Can a normal man catch up with a heavy, aerodynamic aeroplane... Duh!!

Who’s this idiot-hole jumping off the side of a reservoir and grapple-gunning his way to the bottom? Then taking on a room full of Russians, then stealing a bike, then the plane in mid air… The guy’s insane! This is an outstanding pre-title sequence with 007 and 006 (but how did he get there?) carrying out a break-in at a Russian chemical plant – definitely one of the best, most exciting, most tense and most action-packed of the intros. The (now legendary) N64 game captured facility so well when you see the film again.

It's all 6s and 7s in this scene - and film!

With the fantastic Licence to Kill proving to be a box office misfire – I blame the studio – and the franchise stuck in a rut for over five years the series was having a bit of an identity crisis, and it definitely shows in GoldenEye, which to me feels like a half-arsed re-boot.

Not particularly menacing, unless you have a fear of penis-shaped noses

On one hand we have the good old Commies getting themselves into trouble, a trusty space weapon of doom, a villain that wants to wrong all of the world’s rights, a bunch of big-budget action set pieces, enough explosives to match Licence to Kill and some truly awful accents (taxi  for Janssen & Cumming)… It’s like nothing’s changed.

M, a lady, in a Bond film.... OUTRAGE!!!!

On the other hand hand we have a new Bond (with an 80s lady haircut), a new female M (with a boys haircut), a new Moneypenny (with a drag queen haircut – I’M SO CONFUSED!). Despite having a typical Bond story, there’s something different about it… The original parts are all here, but it just doesn’t feel the same! In one of the film’s most telling scenes M notes that in a post Cold War world James Bond is a sexist, irrelevant dinosaur – shame on her!! A few other characters also jibe with Bond about being old hat…Definitely uncalled for given what JB has done over the years, and guess who has to save the day / world / girl / civilisation again!?!? – idiots!!

Bond nerd and Bond girl, two great characters that are both crucial to the story

As far as the new Bond goes, I really rate Brosnan. Growing up through his films (this was the first one I saw in in a cinema, thanks mum!) he’s the Bond of my era, but also, looking back through the years – for me, he’s the first ‘full package’. Sure, Connery is the Bond – oozing charm and humour, Lazenby was the timid one, Moore too theatrical and Dalton quite mysterious – Brosnan rolls all these traits into one performance, creating a full character for the first time.

Sharpe and Steele - surely a winning 00-combo!

Other unforgettable moments from GoldenEye are the: Tank Vs Train fight, the sexually charged vixen Onatopp (hubba hubba), unashamed 1990s SFX abuse with everything and everyone being blown and smashed up, the blatant IBM advertising, “I am invincible” and the super-cool satellite fight at the end.

Xenia Onatopp: has the gadget to rule all gadgets, killer thighs

For the first time in decades we have a great (and quite large) number of solid – fleshed out – characters that all bounce off and balance each other – because although the action is memorable in GoldenEye, it’s really the cast that have to make us believe that the world’s change AND push the picture forward. While it’s more of a facelift than a proper restart the Bond team did well to nail GoldenEye and save the feanchise that so many had written off. Solid 90s blockbuster.

Score: 7/10

A massive tank, drifting 'round corners and through buildings... awesome

TOP TRUMPS
Villain: Sean Bean – pretty insane, wants to throw the UK to the dogs!! 7
Henchmen: Femke Janssen, Penis-nose’d Russian, Invincible Boris. 7
Bond Girls: Femke Jannsen – likes it rough. Programmer chick – very attractive. 8
Action: Opening Scene, Car Chase, Jail Breakout, Tank Chase, Antena & Base destruction 7

First film and we've already seen Brosnan's Ohhhhhhh-Ohhhh face!

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Bonus round - so you'll never, EVER look at this poster the same again