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Lockout: a wrongly convicted man is made to enter a maximum security prison, mid-riot, in space, and rescue the president’s daughter, thus winning a pardon. No, it doesn’t feature Snake Plissken, but bulked up Guy Pearce‘s supercop ‘Snow’ gives the character a good run for his money; he entertains and kicks ass in equal measures, and despite clearly having fun, he’s well above and beyond what is required in an action film this silly. It’s not just Pearce, as the two main baddies in Vincent Regain and Joseph Gilgun (despite the terrible Scottish accents) are a proper Dastardly and Muttley duo, both watchable yet nasty. Other than being set in space this has every other cliché in the action/cop genre; It’s physics-defying dumbness is laughable; it’s needlessly bookended by a boring & unnecessary briefcase / conspiracy side-story; and some really good action scenes are let down by a couple of ultra-cheap, poorly handled bouts of big, fast, loud, fuzzy CGI that are nothing but disorienting. Despite these snags, EuropaCorp delivers another film that punches way above its weight for a $20M sci-fi action picture. While it’s pretty much Escape from New York in space, Lockout is every bit as action-packed and blockbusterly satisfying as it looks, with a surprisingly entertaining cast, decent director, and a few good laughs along the way. I liked it, and oddly enough, so did my lady.

Score: 7/10

Misfits (Season 3): 8 Episodes: with a whole new bunch of powers and a line-up change, the gang are re-booted and re-established. It takes around 1/2 the season, but once the new guy – ‘split personality’ Rudy – is properly established his comic timing, screen presence and character far outdo Nathan, which isn’t an easy feat. The rest of the cast keep up with their characters well and the dealer gets a bigger role than before. A critical problem with Season 3 is that the writing is all over the place, I’ve never seen a series with such variation in quality between episodes; some are among the best and most clever to date, yet others are barely watchable or deadly boring, and the rest are average at best. To finger out a couple, the Nazi time travel and gender bending episodes are just boring, boring and boring – however the super STD episode is comedy gold and the zombie cheerleaders is nothing short of pure cult. Slow burning, with individual episodes ranging between 1/10 and 8/10, Misfits Season 3 asks a lot more of its audience than previous outings, and although it’s still daring, dark and outrageous it only gets its shit together in the final couple of episodes. It’s definitely lacking the clever writing that made the first two seasons special – Season 4 will be a tough sell for me.

Score: 5.5/10