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Generation Kill Battalion Unit Alexander Skarsgård, James Ransone, Lee Tergesen, Jon Huertas, Stark Sands, Billy Lush, Jonah Lotan, Wilson Bethel, Pawel Szajda, Chance Kelly, Eric Ladin,

Generation Kill: an honest and accurate account of the 2003 Invasion of Iraq – told from the perspective of a journalist riding with an elite Marine battalion. Several things come together to make this an exceptional miniseries: i) the ensemble cast is phenomenal – you don’t for a second feel like they’re not real soldiers or real people spittin’, shittin’ and singin‘ their way through a dangerous and unfamiliar country; ii) the dialogue, interactions, plot and shooting style make this feel ultrarealistic: you’re sitting in the Humvee with the battalion; seeing their choices, struggles and the ‘greyness’ of the scenarios in which they’re left to operate in – corpses everywhere, very little action, not much heroics, and all part of the larger, poorly-led mess of an invasion. You also get a warts and all picture of the military: how the chain of command has the wrong people are in the wrong places; how some degenerates make it to the front line; the misuse of army personnel and equipment; and how they have the power to wipe out entire villages with a single decision. Despite the eye-opening shocks, action, and tension the most enjoyable parts are the inane chat and time-filling banter between the troops – and moments like the unit singing Drowing Pool’sLet the Hajis hit the floor , Teenage Dirtbag, or Sk8er Boi are pure television. The only gripe I have is that some of the night-time scenes are infuriatingly dark and impossible to see anything – let alone follow what’s happening. Generation Kill is everything that you want from television (entertaining, informative, political) and everything you’d expect from the man behind The Wire and Homicide: Life on the Streets. Credible and incredible television.

Score: 9/10

Generation Kill Logo Title Card Crosshair Alexander Skarsgård, James Ransone, Lee Tergesen, Jon Huertas, Stark Sands, Billy Lush, Jonah Lotan, Wilson Bethel, Pawel Szajda, Chance Kelly, Eric Ladin,

Broken City Mark Wahlberg, Russell Crowe, Catherine Zeta-Jones, Barry Pepper, Jeffrey Wright, Alona Tal, Natalie Martinez, Michael Beach, Kyle Chandler, James Ransone

Broken City: A cop-turned-P.I. is out for revenge after the corrupt Mayor of New York attempts to frame him for murder. This film is a lot of things, some of them not what you’d expect, but for all the shortcomings, it’s always quite fun to watch, if you go along with it. The casting is top-notch, and for the most part, everyone’s giving it welly – particularly Crowe, who’s clearly having a ball. Marky Mark is playing short-tempered Marky Mark, Barry Pepper is – as always – a solid minor character, Zeta-Jones is a seductive MILF… that’s all fairly standard. My biggest issue is that it’s an out-and-out 40s/50s noir script, but set in contemporary New York. It wants to have all of the classic genre elements, but in a modern setting – but it just doesn’t sit well: unlike something like Brick, which has more of a timeless feel. There’s also a ridiculous sub-plot about his model/actress wife, that doesn’t really go anywhere – he should have just been hardboiled. Although not quite as good as you’d expect from this caliber of actors, it’s nowhere near bad – more like the kind of film that you would see being re-re-re-re-repeated at 11pm on a weeknight on some far-flung channel, but with a stellar cast and decent director.

Score: 6.5/10