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Stoker Chan-wook Park, Mia Wasikowska, Matthew Goode, Nicole Kidman, Dermot Mulroney, Jacki Weaver, Lucas Till, Alden Ehrenreich, Phyllis Somerville, Ralph Brown,

Stoker: when a young girl’s close father dies, his mysterious brother appears – a charming, yet mysterious character that she slowly becomes besotted with. Being a ChanWook Park movie, this has his stamp all over it – meticulous direction and framing, packed with striking, bold, elegant, and often haunting visuals. It’s a richly textured film, full of vivid colours, fabrics, designs, and patterns – ultra-visual cinema. Story-wise, it’s a relatively simple three-hander, focusing on layered and complex characters – that unravel, and become more intertwined as the events unfold. Perhaps because it’s a coming-of-age movie, it sticks out as being very level compared to previous works, shying away from the drama and (sensational) gore that director is used to providing, instead coming over as delayed intensity. Written by an actor, and directed by one of the world’s greatest – Stoker is a unique beast where the Korean director appears to be anticipating any ‘lost in translation’ moments from the script, by emphasizing the focus the universal visuals – you could watch this in any language and still make full sense of it. An immersive, throwback Hitchcockian thriller.

Score: 7.5/10

Stoker Chan-wook Park, Mia Wasikowska, Matthew Goode, Nicole Kidman, Dermot Mulroney, Jacki Weaver, Lucas Till, Alden Ehrenreich, Phyllis Somerville, Ralph Brown

Pro All Star Wrestlers Vs Zombies Rowdy Roddy Piper, Kurt Angle, Matt Hardy, Hacksaw Jim Duggan, Taya Parker, Reby Sky, Shane Douglas, Richard John Walters, Cody Knotts

Pro All-Star Wrestlers Vs Zombies: when a murdered wrestler’s brother brings him back to life, he tricks several famous wrestlers into an abandoned asylum for a private show – full of killer zombies. Welcome to the dark side of Kickstarter; where any n00b director can get any movie funded by promising fanboys and fangirls a tantalising list of B-movie niches. To get it out-of-the-way – this film is pants. The script is rubbish, the plot is woeful, it’s poorly filmed, it’s terribly edited, the sound/overdubbing is horrible and worst of all, even the fighting scenes are at best averagely filmed and edited. On the plus side the make-up is alright, and the crimson gore is serviceable. I hate sticking the boot in to any film, let alone a cheap indie, but there’s no excuse for bad film-making these days, not even the shoestring $30K (or thereabouts budget). Primer and El Mariachi cost $7K each, Eraserhead – $10K, Paranormal Activity – $15K, Blair Witch – $20K, Catfish – $30K… Film-making equipment is now smaller, lighter, cheaper and more readily available. The main reason I suspect is that the wrestler’s fees took up most of the budget? I love wrestling, and B-movies – and watched this with a die-hard wrestling fan – whilst keeping up with a drinking game (see below for details) and even then it was still a chore making it to the end. Despite the big names and premise, there’s not even that many good wresting in-jokes or terminology (“Jobbers die, not headliners” and a coconut being the two standouts). Wrestlers Vs Zombies is another film where the idea and title are infinitely better than anything in the movie itself. The point below is for Roddy Piper, and nothing else.

Score: 1/10

 

WRESTLERS vs ZOMBIES DRINKING GAME

1 – Every time you hear the phrase “The Franchise”
2 – Every time there is a proper wrestling move: slam, hold, leap etc
3 – Every time you hear a (woeful) heavy metal song