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Yakuza Apocalypse, frogman, 極道大戦争, Gokudō Daisensō, Takashi Miike, Yayan Ruhian, Rirî Furankî, Hayato Ichihara, Kiyohiko Shibukawa, Riko Narumi, Pierre Taki, Ryushin Tei,

Yakuza Apocalypse: a virus that turns everyone into a yakuza mobster is sweeping through a sleepy Japanese town; along with some vampires, goths, and a ninja frogman. There are two fairly major signs that you’ll either love or hate this film: firstly, the ‘Mangalogo guarantees some mental Japanese stuff; secondly, Takashi Miike directing is another indicator of mental Japanese stuff. Suffice to say that there’s so much silly, random, and mental Japanese stuff (like a bird goblin man, kung fu frogman in a frog suit – mostly for no obvious reason) that it becomes a chore to keep up with. You get the feeling that Miike was going for a ‘Happiness of the Katakuris’ vibe, but got bogged down in the randomness and forgot about the plot. It opens with an ultra-violent bloodbath, but stalls immediately after and never really hits the top gear again: even the anti-fight at the end is a disappointing reductive idiom gag (massive build up / deliberately rubbish fight). A disappointing non-film from one of the most hit-or-miss directors on the planet. One for the Manga / Japanese / Miike fanboys only.

Score: 3.5/10

Yakuza Apocalypse, Boss Fight, Finale, 極道大戦争, Gokudō Daisensō, Takashi Miike, Yayan Ruhian, Rirî Furankî, Hayato Ichihara, Kiyohiko Shibukawa, Riko Narumi, Pierre Taki, Ryushin Tei,

Yakuza Apocalypse, Poster, 極道大戦争, Gokudō Daisensō, Takashi Miike, Yayan Ruhian, Rirî Furankî, Hayato Ichihara, Kiyohiko Shibukawa, Riko Narumi, Pierre Taki, Ryushin Tei,