Note: this is post #500 since starting the site way back in July of 2009! To mark this, next week will feature guest reviews, several ‘feature’ posts as well as some more regular Paragraph Film Reviews. Thanks to everyone that reads, comments and visits the site, particularly the regulars. You folks are ace!
Seraphim Falls: a determined bounty hunter (Neeson) and his hired guns are chasing a skilled man (Brosnan) through the wilderness for reasons unknown. With two big actors centre screen you’d expect this film to play well… Broz takes his grunting to a whole new level as he’s on his own for most of his part – unfortunately, there’s also a scene where he’s genuinely out-acted by a horse! Pre-heroic re-invention Neeson feels miscast here, and in general everyone looks a bit disinterested. The writing is sloppy, and storytelling has a lot to be desired – an Indian and saleswoman appear – only to facilitate a showdown – and we don’t know why Broz is even being hunted for around 90 minutes – who should we be rooting for? With this, there’s not a whole lot of tension (essential for a decent cat-and-mouse story). It’s partially well-shot, making the biggest reason to watch this some great scenery of wilderness and breathtaking landscapes. Overlong, uninteresting and full of questionable acting, Seraphim Falls feels like a bunch of guys walking about in the words, then desert for the most part – it’s is nobody’s finest hour. 3:10 to Yuma is still the daddy of modern westerns!
The Grey (AKA Wolf Punch): a suicidal wolf-sniper must lead a group of plane crash survivors back to safety when they ditch near a wolf den in Alaska. The biggest shock to me was Neeson‘s star appeal; it was the busiest screening I’ve seen in a long time – and the poster for this is just a close-up of his coupon. While there’s no other A-list actors, they’ve all been around the block and are a solid bunch of hands. The film has surprisingly artistic sensibilities; in particular the opening character building with voiceover, and overall focus / investment on the group, their dynamics, (& latterly the scenery) – instead of fighting wolves every 20 seconds. The plane crash is overwhelming, there’s couple of solid jumps, the CGI wolves look great, the gore is pretty visual, and overall the continuous threat of attack keeps you guessing. The only real downside is that there’s not a whole lot of wolf-punching to be had, and when it happens the frenetic action cam makes a mess of it all. As for the final scene, I still can’t tell if it is the bravest, dumbest, or most disappointing in memory – definitely a bold move. Neeson gets his token action line ‘let’s sharpen a big stick and ram it up this wolf’s ass’… as well a several emotional runs through the poem below, oh, and Taglet looks identical to Half Life’s Dr Freeman. The Grey isn’t the action-packed wolf-punching cheese-fest that you walk in expecting; instead it’s a tense, character driven well-made survival thriller; this will be a nice surprise to some, but a disappointment to others.
Once more into the fray.
Into the last good fight I’ll ever know.
Live or die on this day.
Live or die on this day.