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Housebound Kylie Bucknell and mum, Morgana O'Reilly, Rima Te Wiata, Glen-Paul Waru, Cameron Rhodes, Ross Harper, Ryan Lampp

Housebound: after robbing an ATM machine Kylie Bucknell is sentenced to house arrest for eight months, but her old family home appears to be haunted. All of the setup, paranormal and haunting stuff absolute dynamite; but has the side-effect that the murder mystery in the second half feels a touch inferior – although it’s still wildly entertaining. Branded as a “Horror Comedy” I’d argue that it’s more a black comedy that is set in a haunted house – although this isn’t a bawdy spoof. The comedy writing and delivery is outstanding (in a NZ deadpan way) with a lot of great genre and trope gags that create a fun and off-kilter tone where even things like a juvenile delivery of  “do they?” sends you properly ROFLing. The rickety house setting is reminiscent of Braindead (aka Dead Alive), but Housebound doesn’t lean on – or borrow from – it much, with only a few splashes of gore, and its eye firmly on the comedy prize. Housebound is a fantastic directorial debut: the story’s well told, it looks great, but most importantly – it’s really really funny, letting it stand proudly alongside Tucker and Dale Vs Evil and Cabin in the Woods. Believe the hype.

Score: 8.5/10

Housebound Cast Morgana O'Reilly, Rima Te Wiata, Glen-Paul Waru, Cameron Rhodes, Ross Harper, Ryan Lampp

Housebound Amos Pointing Recording, Morgana O'Reilly, Rima Te Wiata, Glen-Paul Waru, Cameron Rhodes, Ross Harper, Ryan Lampp

I’m A Cyborg: offbeat buddy movie set in an asylum as two very, very memorable characters form an unlikely friendship. There’s an absolutely insane first part, with a ton of story unfolding, busy shots, hectic scenes, crazy and colourful sets; it all pumps you up and gets you excited. The leading lady absolutely steals the show with her portrayal of a girl who genuinely believes she’s a robot – and can talk to electrical appliances – however the main male (Rain, who hulked up for Ninja Assassin!!WTF!!) and Chan-wook behind the camera are both continually vying for your attention. Most of the script, puns and jokes translate in to English very well, which is uncommon and is a welcome kick in the teeth to the Asian symbolism and culture that doesn’t always export. The only real downer is that whereas the first 70 minutes absolutely fly by, the final 30 feel quite sluggish in comparison as the pace is deliberately throttled… there’s still some great scenes, but it definitely peaks too soon. It’s a great concept, crammed with yet more exciting filmmaking from Park Chan Wook, Almost like a quirkier modern day cuckoos nest, with robots and masks – and I’ll definitely be re-watching it again soon.

Score: 7.5/10