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Line of Duty BBC AC12 Lennie James, Martin Compston, Vicky McClure, Adrian Dunbar, Craig Parkinson, Neil Morrissey, Keeley Hawes, Gina McKee, jessica raine, Mark Bonnar, tony Pitts, Christina Chong

Line of Duty (Seasons 1 & 2): police drama based on an Anti-Corruption unit and their internal affair investigations on potentially crooked coppers. The show’s biggest strength is that the main focus of each season is a very ambiguous character that looks clean and innocent, but makes some morally dubious choices – some of which are understandable – meaning that every viewer will see them differently depending on their individual moral compass. It also helps that the core characters are well-acted and for the most part, given backstory and more depth. There’s more shocks and violence than you’d expect from a Big British Castle (BBC) program – which helps to ratchet up the drama. It’s also well shot, with strong docu/realistic camerawork and a slightly gritty finish to emphasise urgency and drama. What I don’t understand is that it spends 5-6 hours setting up a complex, engaging, and constantly evolving crime scenario – only to completely fuck up the ending in both seasons: one is barely explained; the other is told only through flashbacks; and both times nothing really changes, the team don’t actually figure anything out, and it’s topped with cheesy follow-up post credit titles showing the fate of each main character (even though it’s fiction, and not true crime). For the most part Line of Duty is a slick, tense, and absorbing police procedural show; and if closure doesn’t bother you, you’ll like it even more.

Season 1 – Score: 7/10
Season 2 – Score: 8/10

Line of Duty BBC Cops Lennie James, Martin Compston, Vicky McClure, Adrian Dunbar, Craig Parkinson, Neil Morrissey, Keeley Hawes, Gina McKee, jessica raine, Mark Bonnar, tony Pitts, Christina Chong

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Misfits (Season 2): 7 episodes: our favourite gang of reprobates are back to carry out more community service and save the day using their bizarre set of superpowers. Compared to season one, the biggest difference is that this is far darker, grittier, and a helluva lot sexier! Most importantly, it’s still quite fresh, the episodes are interesting and there’s some legs left in the story – a credit to the writers. It’s more emotionally drawing, because we know the characters better, and a 6th staple (Craig Parkinson) is added as the new probation worker. The overall tone remains youthful and contemporary (drugs, raves, slang etc). Each episode plays well on its own, with a few longer story arcs and it ends on such a cliffhanger that they couldn’t – and didn’t – pass up the chance at a third season. The soundtrack’s still massive indie/dance rock tunes, and production reaches new heights and it looks fantastic. The only weird thing is that as the body count reaches double figures the kids remain unphased! Not much else to say on this other than they kept the winning formula of season one but added even more crazy the stuff that keeps you tuning in. More great British TV programming.

Score: 8/10