Archive

Tag Archives: Ben Whishaw

Spectre Mask Mexico Festival Street Party Daniel Craig, Christoph Waltz, Léa Seydoux, Ben Whishaw, Naomie Harris, Dave Bautista, Andrew Scott, Monica Bellucci, Ralph Fiennes, Rory Kinnear, Jesper Christensen,

Spectre [Plot Spoilers]: a posthumous video from ‘old’ M sends 007 into the belly of the beast; going after the head of the global criminal super-organisation SPECTRE: Special Executive for Counter-intelligence, Terrorism, Revenge and Extortion.

This starts with a beautifully choreographed long single-take; moving from the sky, down through crows, up an elevator, through some rooms, and over rooftops. The pre-credits mission ends with an overlong and confusing shaky-cam helicopter set piece; the Greengrass-style shaky-cam style of which spoils much of the subsequent action – which is defined by big, loud, turned-up-to eleventy-stupid explosions right, left, and centre.

Spectre Choppah Helicopter Mexico Daniel Craig, Christoph Waltz, Léa Seydoux, Ben Whishaw, Naomie Harris, Dave Bautista, Andrew Scott, Monica Bellucci, Ralph Fiennes, Rory Kinnear, Jesper Christensen

After the initial setup, the film immediately starts throwing up a lot of overly familiar scenes; fortress on a snow-covered mountain top, Austrian forest chase, train fight with a brutish henchman, inviting Bond in to the secret lair before he escaped and blows the place up, scars, cats, exploding watches, Aston Martin gadgets, London chases… it feels like a rejected script for the 50th Anniversary film; that half-assedly tries to tie the last three movies together and leans on the aforementioned ‘classic Bond’ moments, ‘jumping the shark’, and even doing stuff that’s been parodied in Austin Powers – including drinking and advertising Heineken.

Spectre Meeting Broken Lights Daniel Craig, Christoph Waltz, Léa Seydoux, Ben Whishaw, Naomie Harris, Dave Bautista, Andrew Scott, Monica Bellucci, Ralph Fiennes, Rory Kinnear, Jesper Christensen

Going back to the old mould of ‘classic Bond’ the film also contains a higher level of silliness than the rest of the post-Casino Royal reboot movies: from out of nowhere Blofeld and Bond grew up together? Even bringing back a campy evil genius like Blofeld (who was in a handful of the early Bond films) feels like a strange villain choice; especially following after Javier Bardem‘s demented Skyfall performance. The dodgy science of drilling in to precise parts of the brain that contain memories / facial recognition / balance also feels ridiculous.

Spectre Widow Daniel Craig, Christoph Waltz, Léa Seydoux, Ben Whishaw, Naomie Harris, Dave Bautista, Andrew Scott, Monica Bellucci, Ralph Fiennes, Rory Kinnear, Jesper Christensen,

While Craig continues his streak of gritty and remorseful Bond, pretty much everyone else feels under-used: Waltz is only in about 20 mins of the movie, and he doesn’t look remotely interested – I can only imagine it’s because he’ll be in the next few movies too? Monica Bellucci (not even a proper femme fatale) is in two back-to-back scenes, and Dave Bautista (silent but violent – OddJaws) gets a couple of frenetically shot action scenes and one word to say. Bond Girl Léa Seydoux starts off promising; but soon turns into the generic helpless love interest. in On the flipside M and Q get slightly more screen time and even a bit of action in the field.

Spectre Car Chase Astin Martin Jaguar Rome Daniel Craig, Christoph Waltz, Léa Seydoux, Ben Whishaw, Naomie Harris, Dave Bautista, Andrew Scott, Monica Bellucci, Ralph Fiennes, Rory Kinnear, Jesper Christensen

Of course, not everything about the old movies are bad: there’s more tongue in cheek moments, a better script for quips, one-liners, and wordplay (“I guess we know what C stands for now… Careless“). There’s also more of a throwback vibe of escapism and glamour, which somewhat po faced Casino and Quantum films were missing – every shot looks like Bond and the Bond Girl are straight off a GQ cover. Although this goes a little too far with the cheesy ending, and the fact that there’s very little believable threat to Bond and his breakaway MI6 team.

Spectre Blofeld Daniel Craig, Christoph Waltz, Léa Seydoux, Ben Whishaw, Naomie Harris, Dave Bautista, Andrew Scott, Monica Bellucci, Ralph Fiennes, Rory Kinnear, Jesper Christensen,

Skyfall and its focus on Bond would always be a tough film to follow; and switching the focus to big names, big story, big locations, big explosions and bigger budget – Spectre doesn’t come close. Being one of the most expensive films ever made (but it’s not that obvious) this had to tick all of the constituent boxes of a ‘classic’ and safe Bond film. Although the surface is presented as the new Post-Bourne reboot Bond (nanotech, drones, cybersecurity) everything under the bonnet is straight outta the 1960s/1970s. Joe Public and those that grew up with the first 15 or so movies will love this because it’s a familiar romp, but I feel that more recent and more hardcore fans of the franchise will be let down by a fairly profunctory and borderline cynical by-the-numbers Bond outing.

Score: 5.5/10

TOP TRUMPS
Villain: Information-hoarding new-age Blofeld. Like Elliot carver after a funectomy – 3
Henchman: Goatee’d Hinx; somewhere between Oddjob and Jaws – 4
Bond Girls: Two-scene widow; and slightly less ridiculous Christmas Jones – 6
Action: Mexican Helicopters / Rome Car Chase / Austrian Forest / Desert Shoot-em-up / London Bombing – 7

Spectre Ring Octopus Daniel Craig, Christoph Waltz, Léa Seydoux, Ben Whishaw, Naomie Harris, Dave Bautista, Andrew Scott, Monica Bellucci, Ralph Fiennes, Rory Kinnear, Jesper Christensen

Skyfall: James Bond comes back from the dead to help MI6 – and justify his existence – during the agency’s darkest hour. The story is easily one of the strongest in the franchise, split in to three well-defined acts, and even at 2.5 hours it never feels like it over-stays its welcome, as most scenes reveal something about at least one of the central characters.

Javier Bardem‘s villain perfectly mangles the theatricality and campiness of the Bond classic villains (Scaramanga / Blofeld) with a dark, maniacal and twisted persona that’s among the best modern cinematic antagonists (The Joker / Detective Stansfield). It’s also a testament to Daniel Craig that he never gets out-performed – some previous Bond’s would have struggled. As for the under-discussed Bond Girls Sévérine perfectly plays the vulnerable and dangerous seductress; on the other hand, Bond’s field agent colleague Eve was pretty rubbish, lacking any believability, conviction or presence – she looked like she was on daytime TV.

The film’s well-paced, directed, and looks fantastic, with plenty full-frame/wide shot of landscapes & sets and – as you expect from the travelogue element of every Bond film – there’s a ton of stunning locations to take in; Turkey, Shanghai, the abandoned Hashima Island, Glencoe, and an eerily beautiful shot of a misty Glen Etive.

This film also continues to keep Daniel Craig’s outings firmly rooted in the ‘reality’ of the post-Bourne action film, steering well clear of the fantasy / ridiculous / gadgetry elements. Although this is the current style of most action movies, it would be good to see some gadgets and stunts that brought a bit of the classic Bond magic, although the line between magic and cheese is very grey.

The most interesting aspect of Skyfall is that it focuses on James Bond more than any other outing: not just through questioning his relevance in the modern world, or whether he’s still physically / mentally capable, but it also goes back to his pre-spy roots, fleshing out his childhood & backstory, giving the audience an insight into how he became the fearless, suave and dangerous 007.

You couldn’t ask for much more in a 50th Anniversary Bond film; most of the classic elements are there, even if they’re hinted at, or – like the famous ‘gun barrel sequence’ – simply tagged on to the end again. The story, characters and direction are all well above the average for a Bond film; however, more mentions of the previous 22 movies would have been the cherry on the cake, and added a truly celebratory vibe to the longest-running cinema franchise in history.

Score: 8.5/10

TOP TRUMPS

Villain: Raoul Silva – camp, cunning, crazy, deformed… just not in enough screen time 9
Henchmen: Patrice, the capable and silent assassin, + a few dozen mercenaries. 6
Babes: 50% classic beautiful siren, 50% awkward and rubbish. 7
Action: Opening mission / MI6 Bombing / Shanghai / Casino / Underground / Skyfall Shootout. 8

For reviews of every other James Bond film, click HERE