Repo Man

Repo Man: A down-and-out kid takes a job as a car Repo Man, but soon gets mixed up in an alien conspiracy. This feels intentionally retro and ‘cheapy’, like a 1950s era B-movie (aliens, radiation, dystopia…) Under the surface it feels like the director had a lot to say about the mood and culture of the time; unfortunately, it feels like there wasn’t enough budget or focus to properly explore the promising glimpses. The film’s set in quite a cynical version of L.A. where all factions are caricatured: the young punks/skinheads are knuckleheads, the repo men are jaded, the conspiracists are ‘nutjobs’, the government agents are obedient – it’s all a bit surreal, especially when characters drink from generically branded ‘Beer‘, ‘Rum’, & ‘Food’ bottles/tins, and spout lines like  “Fuck this… Lets go do some crimes”. It stands out most for focusing on the disenfranchised youth of the 1980s, but the appeal (and audience connection) have faded in the past 31 years. There’s a great Surf Rock / New Wave soundtrack, and some infamous lines of dialogue, particularly those delivered by Harry Dean Stanton, who’s the only actor that truly stands out, spitting magically heartfelt and bitter lines like “Ordinary fuckin’ people… I hate ’em”. Repo Man is billed as ‘Sci-Fi‘ and ‘Punk‘ – I’d argue that this is neither, but simply a Troma or Corman styled B-movie. It’s cheap, cheerful, in the same boat as Surf Nazis – but overall better, more charming, and feels authentically ‘cult.

Score: 3/10