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Dead Snow 2: Red vs Dead: picking up immediately from the end of Dead Snow, Nazi Zombie Herzog and his army turn to their original objective; wiping out the tiny village of Talvik. This film doesn’t skip a beat and – if anything – feels even better than the original in almost every way; it’s better shot, better put together, better written, bigger budget, and somehow manages to remain original and even funnier – tanking passed the six laugh test, and giving me a sore face and ear-to-ear grin by the end credits sequence. The ‘Idle Hands’ arm-swap angle makes for some great fun, a whole new side story, and some top-drawer comedy performances. It was also exciting to see the addition of Martin Starr as the Zombie Squad leader, a great piece of character casting. In fact, the only thing that I didn’t like about this was the portrayal of a gay character that could have come from a 1960s stage play – however, that aside, there’s little else to complain about. Dead Snow 2 is an absolute delight to watch; a funny and schlocky horror comedy that does both aspects well, and athe movie that now holds my title of ‘Best Zombie Comedy’ (It’s better than Sean of the Dead.)

Score: 8/10
B-Movie Score: 9.5/10

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When a tank missile hits a baby in a pram… obviously.

Cobra Sylvester Stallone, Brigitte Nielsen, Reni Santoni, Andrew Robinson, Brian Thompson, John Herzfeld, Lee Garlington, Art LaFleur, Val Avery, David Rasche, Nick Angotti

Cobra: Marion Cobretti – essentially a paramilitary policeman – comes across his scummiest scumbag yet, but he believes this is more than just a one-off. This is a spin-off from when Stallone walked away from Beverly Hills Cop to make something more violent! It’s essentially an ‘Arnie Film’ but with a different star, and more than most of the Arnie movies around this era, this has a really nasty streak through it – the baddies are a fairly nihilistic, ruthless bunch working under the name “Night Slasher” – although their back-story & motives could have done with fleshing out. Stallone’s Cobretti is unnecessarily cool – Car, Shades, clothes, attitude – it’s laughable at times, but Sly always does this. The action scenes are all pretty good – including a superb car chase that feels straight out of the Fast franchise, a lot of shooting, a boss fight in a suitably 1980s industrial setting (a foundry) and even a cheeky homage to the Shining’s famous door-smashing scene. There’s also flakes of social commentary (particularly the failing justice system), and an under-appreciated ‘anti Christmas movie’ vibe throughout. While Cobra is absolutely nothing new, it’s all fairly enjoyable if you appreciate cheese, big action, and lots of hard-18 violence – although if it does require subtitles to comprehend Sly.

Score: 6.5/10