Stoker: when a young girl’s close father dies, his mysterious brother appears – a charming, yet mysterious character that she slowly becomes besotted with. Being a Chan–Wook Park movie, this has his stamp all over it – meticulous direction and framing, packed with striking, bold, elegant, and often haunting visuals. It’s a richly textured film, full of vivid colours, fabrics, designs, and patterns – ultra-visual cinema. Story-wise, it’s a relatively simple three-hander, focusing on layered and complex characters – that unravel, and become more intertwined as the events unfold. Perhaps because it’s a coming-of-age movie, it sticks out as being very level compared to previous works, shying away from the drama and (sensational) gore that director is used to providing, instead coming over as delayed intensity. Written by an actor, and directed by one of the world’s greatest – Stoker is a unique beast where the Korean director appears to be anticipating any ‘lost in translation’ moments from the script, by emphasizing the focus the universal visuals – you could watch this in any language and still make full sense of it. An immersive, throwback Hitchcockian thriller.
The Duel Project started out as a drunken bet, when Japanese movie producer Shinya Kawai challenged two up-and-coming directors to each make a film that had only two actors, who would fight to the death, in a single location – it also had to be shot in less than a week, and stick to a tiny budget. The results were Aragami and 2LDK (2LDK REVIEW HERE)
Aragami: two wounded soldiers collapse at the door of a monastery, but when one wakens up the hospitality doesn’t last long. This film couldn’t be more different to 2LDK. The dialogue feels slow and padded out. There’s continual talk of magic, immortality, demons, goblins and such fantasy staples – bit of a turn-off for me. The film’s soundtrack is OTT porno music / thrash metal, and the tone is equally unusual – slapstick/manga. All familiar territory for Ryuhei Kitamura who’s biggest film to date was Versus, and was using this as a ‘dry run’ for Azumi – unfortunately the film only finds its stride in the last 10 minutes. My favourite aspect was how much the film was steeped in a history of swordplay and swordfighting movies yesteryear – from intricate/complex katana flare, down to some lovely, old school, ‘Shing! Ching!’ metal-clashing sound effects. Aragami isn’t a bad film, but watching it after 2LDK really takes the sting out it’s tail: whereas you enjoy the pressure-cooker buildup in 2LDK, Aragami’s set-up feels flat and uninteresting, you just want to see these guys battle it out, and when it does roll round, it feels much shorter and less innovative/satisfying than the other movie. The Duel Project is definitely worth checking out, but I’d recommend watching this first, building up to the superior 2LDK.
“Ninja Stars are for losers”