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The Night Manager Cast BBC AMC Roper Birch Pine, John le Carré, Tom Hiddleston, Hugh Laurie, Olivia Colman, Tom Hollander, Elizabeth Debicki, Alistair Petrie, Douglas Hodge, David Harewood, Tobias Menzies, Michael Nardone

The Night Manager: a hotel manager is recruited by the British Gov to infiltrate a ruthless arms dealer’s inner circle. I can’t remember the last time the BBC threw this much money, stars, and talent at one project. Yet for such an accomplished cast, it felt like a faux pas to cast the leading lady as a relatively unknown; she struggles to keep up with the big and entertaining performances of villainous Roper (Laurie), heroic Pine (Hiddleston), and vivacious Corky (Hollander). Style-wise, this feels like a very expensive pitch for Loki to become 007: he even has the audacity to order a Vodka Martini in the final episode (WTF M8!?!) It’s all a bit ‘classic Flemming’, boasting the hallmarks of an old-school Bond film; from the decadent credits through to stellar production values and globe-trotting espionage. The disappointment is that it only dips a toe in the Bond waters: the plot’s far-fetched, but not too daft; the villain is dastardly, but not a megalomaniac; the hero is sufficiently heroic, but not an espionage badass… At six episodes, the setup, ending, and central plot of infiltrating an arm’s dealer feel rushed – sacrificing your belief in the story for as much drama, murder, action and boobs that the run-time will allow. The ending also feels quite spineless – turning its back on the pulpy / hardboiled vibe that the story built and opting for a happy, wide-open-for-a-sequel finale. Overall, The Night Manager looks fantastic, and is completely watchable… because it’s actually more of a saucy and sensational spy romp, than the classy espionage thriller it’s presented as.

Score: 7/10

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Hanna: Raised as an assassin, Hannah is cut loose in the real world and soon becomes a fugitive. It doesn’t take long for you to realise that this is nothing short of meticulously filmed – there’s some fantastic single takes, stunning framing / mise en scéne and the action is put together with enviable ease. Said action’s also heightened by a great soundtrack; not dissimilar to Lola. Being set, filmed and funded by Europeans – it has a great anti-blockbuster quality and feel that’s pretty difficult to describe. Distracting everyone from the all of the awesomeness mentioned so far is a cast jammed with as many ridiculous characters as the story could hold: a washed-up clown Grimm, two Neo Nazis, comedy homosexual hitman, ke-razy traveling family (with the worst daughter ever). Because of these characters, the tone bounces around frenetically – serious chase, followed by fish-out-of-water, followed by some action, then a Volver-esque ‘genuine’ Spanish street performance, then some serious plot development… Cast-wise, you can always rely on Eric Bana to pull through and Blanchett nails her portrayal of a determined, cold villain. Ronan was good, considering her part kept flipping between comedy and thriller. Hanna proves to be an above average, and well-directed cat-and-mouse movie with a nice backstory that’s drip-fed throughout the duration.

Score: 7/10