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Super: A socially inept weirdo with ‘visions and voices’ creates the alter ego superhero, ‘The Crimson Bolt – armed with a monkey wrench, pipe bombs and the catch phrase “Shut up, crime”. It’s the total opposite of everything you’d expect from a superhero movie – the characters are all deeply flawed, the humour is super black and is contrasted with some full-on bone-crunching, brain splattering violence. Technically, it’s also very different, with a lo-fi handheld style and toe-tapping indie/pop soundtrack that give it a unique, botique, wholesome style – I was sold from the TSAR opening credits. The biggest hit is Rainn Wilson, he’s utterly fantastic, pitches the character perfectly, and genuinely makes the movie. Kev Bacon is great as a scumbag, and Page does a decent job as a foul-mouthed youth. The humour is twisted and black with a deep, dark streak running through the movie – very awkward, offbeat, black, but really really funny (“The Finger of God had touched me”, “Don’t steal, don’t molest kids, don’t butt in line”, tentacles, the sex scene… it’s all absolutely mental). On paper Super looks like another Kick-Ass, but everything about it is different and unique, which makes this a little indie belter that stands out from the copy/paste films in the superhero genre.

Score: 9/10

Monsters: a photographer has to deliver his boss’s daughter from central America back home to the US border, only problem is that the north of Mexico is now an alien infected zone. Yet another solid entry into the more believable area of the Sci-Fi section – alongside the likes of Primer, Children of Men, 2001, Moon, District 9, Running Man… Monsters is guerilla film-making at its smartest; every shot is framed perfectly and CGI’s sparingly used as the most is made of real people / locations / disasters / wrecks. The focus isn’t on big effects, but the atmosphere, which is probably the biggest reason why you can buy into the film. While the story’s pretty thin and basic, the chemistry between the on (and off) screen couple also sucks you right into their world. In saying that, for being the crux of the film the relationship angle is straight off-the-shelf; some poor bloke’s fiance is doubting their marriage when she meets a far more interesting guy – wonder how that will it turn out?! Everyone’s been banging on about how good Monsters is for the budget, big woop, a load of low and micro budget films have done well. The real inspiration that Gareth Edwards wrote, directed, filmed, edited and SFX’d an international hit off his own back. While this isn’t quite the full polished package it shows a lot of promise for a first time director. Can’t wait to see what he can deliver when the studios start throwing serious money at him.

Score: 6.5/10