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Alejandro Jodorowsky, Brontis Jodorowsky, Alfonso Arau, José Luis Fernández, Alf Junco, Jacqueline Luis, Mara Lorenzio, Paula Romo, David Silva, Héctor Martínez, José Legarreta

El topo: a surreal wild-west-type cowboy tale that’s heavy on the religious symbolism and appeared to have been conceived (& filmed) whilst on all of the drugs. The biggest thing this film has going for it is reel after reel of top-shelf insanity and phenomenal imagery: attempting to put some of the scenes into words wouldn’t do them justice – but suffice to say that the locations, landscapes, characters, and overall visuals are absolutely remarkable. Beyond the aesthetics, the rest of the film feels like a hodgepodge of themes, styles, and ideas. The tone continually bounces around from jarring “Texas Chainsaw” style, straight into to a Russ Meyers type shoe-sniffer: from po-faced religious moments through to Blazing Saddles levels of stupidity. It’s also – unfortunately – a film of two halves, that gets tangled up after the initial “mission” and really loses the head of steam (and patience) that the first have had built up. The foley work is particularly terrible – the film is shot outdoors, but most of the speech and effects appear to have been recorded in a boxy echo chamber. There’s also a lot of violent (although reddest blood ever) and exploitative stuff in here too, like the misuse of religion, lesbians, and midgets & disabled people for no real reason. Bizarre and easily one of the strangest & most overlooked cult movies ever made, El Topo is the most peculiar of beasts, that’s only worth watching for it’s sublime and visionary aesthetic.

Score: 5/10

Alejandro Jodorowsky, Brontis Jodorowsky, Alfonso Arau, José Luis Fernández, Alf Junco, Jacqueline Luis, Mara Lorenzio, Paula Romo, David Silva, Héctor Martínez, José Legarreta

Alejandro Jodorowsky, Brontis Jodorowsky, Alfonso Arau, José Luis Fernández, Alf Junco, Jacqueline Luis, Mara Lorenzio, Paula Romo, David Silva, Héctor Martínez, José Legarreta

Alejandro Jodorowsky, Brontis Jodorowsky, Alfonso Arau, José Luis Fernández, Alf Junco, Jacqueline Luis, Mara Lorenzio, Paula Romo, David Silva, Héctor Martínez, José Legarreta

Alejandro Jodorowsky, Brontis Jodorowsky, Alfonso Arau, José Luis Fernández, Alf Junco, Jacqueline Luis, Mara Lorenzio, Paula Romo, David Silva, Héctor Martínez, José Legarreta

 

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Melancholia: follows a group of upper-class people with first world problems as a stray planet is scheduled to do a close fly-by past earth. This film feels like Von Trier spunked most the budget in the opening and closing 5 minutes with the arty, expensive-looking, Tree-of-life-esque scenes – then worried about filling the rest as an afterthought. For being an ‘apocalyptic drama’ there’s not enough apocalypse or drama in the story for my liking. Dividing the film into two chapter-parts is ridiculous: part one is dedicated to Kirsten Dunst’s chest, at her wedding (which is brimming with pomposity) and showing us that her character is a total dickhead – this goes on for far too long. Part two is more of the same but focusing on Gainsbourg and her flaws… The film looks pretty good (cutting edge SHD Arri Alexa cameras) and is shot well barring the uber-shaky cam scenes. The acting’s also decent, but not as amazing as is being made out. The bottom line here is that it appears Mr Von Trier seems to have lost his flare for proper stories and proper storytelling. Annoyingly boring, really should have walked out.

Score: 1/10