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Dogtooth Family Christos Stergioglou, Michelle Valley, Angeliki Papoulia, Mary Tsoni, Christos Passalis, Anna Kalaitzidou, Yorgos Lanthimos

Dogtooth (Kynodontas): three teenagers are completely isolated from the outside world by their overprotective parents; but they’re starting to become curious. This manages to successfully juggle various usually-avoided elements: it’s all very strange, quite full-on, and doesn’t really go anywhere; it’s completely awkward and deadpan – yet despite all of this, it manages to draw you in, entertain, and make you laugh. A lot of the funnies come from simple things like the misuse words; they call a salt shaker a telephone, a large lamp a cunt, flowers are zombies, and in one of the best – and weirdest – scenes the father intentionally mistranslates “Fly Me To The Moon”. The house is an unsettling location, almost like a laboratory: total white-out where everything is crisp, clean, clinical. There’s some full-on sex, full-frontal nudity, and a lesbian sub-plot – but these are also completely cold and sterile. Cast-wise, the three children are fantastic, and the main reason this film works: their naivety and childlike awe of external interference is completely believable and great to watch. It’s also masterfully directed, and effectively shot & framed – the most important part of scene is usually off-center, or sometimes completely out of shot. In a word Dogtooth is bizarre – on the cinematic map it’s in relatively uncharted territory between the severity of Haneke and the dark humour of Solondz – and as the runtime progresses it just keeps getting weirder and funnier. Dark and original, Dogtooth is a treat for those that want to try something completely different.

Score: 7.5/10

Dogtooth Dad Christos Stergioglou, Michelle Valley, Angeliki Papoulia, Mary Tsoni, Christos Passalis, Anna Kalaitzidou, Yorgos Lanthimos

Dogtooth Sisters Christos Stergioglou, Michelle Valley, Angeliki Papoulia, Mary Tsoni, Christos Passalis, Anna Kalaitzidou, Yorgos Lanthimos

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AUDITION Takashi Miike, Ryo Ishibashi, Eihi Shiina,  Ryu Murakami, Tetsu Sawaki, Yasuhisa Yoshikawa, 

Audition (オーディション, Ōdishon): a TV producer and widower stage a fake TV audition in order to find the latter a new wife, but the best candidate seems too good to be true. The opening half hour feels a little too rom-com-y for a ‘horror’ film (upbeat music, cheesy jokes etc). The film trudges on and after 1hr 15m of setup it gradually becomes weirder and more interesting until the payoff semi-ending finally kicks in. Knowing that there’s something not quite right with the ‘perfect girl’ is a tad unsettling, but you couldn’t have predicted an ending as extreme as this – the sound of bone being sawed is vomit-inducing! There’s a small, but obvious social critique about the time in lines like “The whole of japan’s lonely”, and “Japan is Finished” – not-so-subtle! What makes this worthwhile is that it is a unique horror film in that is doesn’t pander to conventions, or give you what you expect. It also beat the wave of late 2000s movies that kick-started ‘torture porn’/’Splatter’ craze again. As original and unique as Audition is, it’s essentially a psychological drama for this most part with 10 minutes of gore capping off a lot of humdrum!

Score: 5.5/10