Tag Archives: Tax

Collateral Tom Cruise, Jamie Foxx, Jada Pinkett Smith, Mark Ruffalo, Peter Berg, Bruce McGill, Irma P. Hall, Barry Shabaka Henley, Javier BardemCollateral: an LA cab driver becomes involved in several murders when fate makes his next fare a contract killer. The casting in the film is great: Jason Statham makes a brief appearance (was disappointed he didn’t resurface), Javier Bardem as a sleazy crooked nightclub owner, and Mark Ruffalo is unrecognisable as a cop (“No way, that dude sounds just like Ruffalo”). There are moments of truly great acting from both leads: Jamie Foxx as a bumbling, almost special / OCD cabbie and Tom Cruise as a stone-cold, experienced, remorseless killer. The entire film’s shot at night, and set over one evening, which gives it a creepy atmosphere and haunting vibe; quiet streets, empty buildings, dark alleys… the lighting, photography, and locations (empty LA is as much a character as anyone else) are all out of this world – although because it’s shot at night, on digital, with such a high ISO it looks very grainy. It all feels quite grounded and immediate during the movie, keeping a steady pace and having a lot of suspenseful moments, but the end leans towards a generic (albeit tense) action movie finale. My only major issue was that loads of things were hinted at, but never explained, particularly with Cruise’s character – is there any point in creating decades of backstory if all you get is a slight glance at the end of a murder? Collateral is a film every bit as polished, planned, sleek and exciting as you’d expect from Michael Mann, and pulls of the thankless task of being a character-driven action film with great ease.

Score: 7/10

Collateral Taxi Tom Cruise, Jamie Foxx, Jada Pinkett Smith, Mark Ruffalo, Peter Berg, Bruce McGill, Irma P. Hall, Barry Shabaka Henley, Javier Bardemjpg


The Host: creature feature from South Korea. Starts off like a trendy comedy horror, with awful over-acting, but gets more serious as the story progresses. There were a few awesome moments of suspense, but in general it didn’t seem to know whether to be funny or serious – ended up an eclectic mix. The music also conveys this, being spot on in parts, but totally ridiculous in others. The start and end are great, action-packed and when the film really comes to life, although the mid-section isn’t as good, coming across as drawn out and filler. The most outstanding part of this film was the monster, and the special-effects. Other than the very end it’s amazingly convincing and looked great. Some good, but predictable jumps along the way, and why is it that people in films like this always fall over when they’re running for their lives?! Mini political agenda regarding media hysteria, chemical warfare, failure of ‘the system’ and western criticism but it’s never really in your face. Far more focus on the family than the monster. Great action and tedious backstory but don’t really understand how it became the biggest Korean film of all-time, reasonable attempt nonetheless.

Score: 6/10