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It Follows Car Wheelchair Tarantino Maika Monroe, Keir Gilchrist, Olivia Luccardi, Lili Sepe, Daniel Zovatto, Jake Weary, Bailey Spry, Debbie Williams, Ruby Harris, Leisa Pulido, Ele Bardha

It Follows: after sleeping with her new boyfriend a teen picks up a curse where a shape-shifting demon will always follow her, at walking pace, until it kills her or she bangs the curse in to someone else (an STD – Sexually Transmitted Demon – if you will). It sounds like an average idea for a horror film, but the execution is outstanding: taking this one simple (but powerful) idea and drawing tension, scares, and thrills from it. Like all of the best horror pictures it  also works as a thinking film, steeped in subtext and wide open to interpretation and analysis. It lets the audience consider how they would handle It – would you try to outrun it, or it pass on, or just kill yourself?!?! Shunning almost everything that makes modern horrors lazy, it boasts a nostalgic ‘classic’ suburban horror setting where people used landlines, CRT TVs, Polaroids, and eerie synth dominated the score (although they could just be modern hipsters?) Other than a couple of early ‘cattle prod’ moments, the thrills come from the atmosphere and suspense of ‘It’ – and the zombie-like relentless shuffle towards the camera. In saying that, the film could have done with a few more ‘chase’ scenes or false demons walking around; if only to capitalise on the eerie vibe sustained by the director. Also, “It” is not always following, which is weird – it’s apparently scared of water & hospitals, or just hangs around on rooftops or at the back of cinemas when it can’t be assed pursuing. The direction is very strong: solid camerawork, paired with the perfectly captured suburban and run-down areas of Detroit – which all come together to give the film an authenticity. If it wasn’t for a few flashes of gore and gratui-tits this could be the scariest PG movie ever made. IT Follows is nothing short of a miracle given the state of modern horror – Insidious 9, Paranormal Inactivity 13, Texas Chainsaw 17 – it’s genuinely atmospheric & scary, avoids cheap shocks, and lingers with you long after.

Score: 8/10

My solution: fly to another country, bang a young hooker, she passes it on almost immediately, and the curse will keep going back to said prostitute every time the unlucky john dies.


Let Me In: re-make of a 2008 Swedish film of a vaguely similar name:

Better:
– Overall execution
– More concise, and clearer story
– Cut out a bunch of ridiculous scenes (cat lady et al)
– No shot of gnarly genitalia
– More tension in big scenes
– Father/ Cop were better acted

Worse:
– Kid’s relationship not as good
– Kid actors aren’t quite as good
Cheesy soundtrack
– OTT Vampire effects / SFX
– Cut out decent story lines (Kid’s dad)

Indifferent:
– Still slow, boring and Emo
– Large sections are literally scene for scene
– Embraced the 1980s too much; music, pac-man, fashion, sweets etc
– Deliberately identical aesthetics (lots of fake snow)

The final product is stronger than the original, although that wasn’t hard to do for me.

Score: 4/10

Let the right one in: totally, 100%, utterly underwhelming – the amount of buzz this film’s generated only makes it even disappointing. The story of the friendship between the two teenagers is pretty good, and their acting is absolutely superb, but that’s about the only memorable aspect of the entire film. Most people bang on about how beautiful it looks – it’s OK, but this isn’t really one of the best-looking or best-shot films world cinema has to offer. The story’s very slow and nothing much really happens for the most part – the first hour the film could have been named “Daily vampire errands”. The mundane-ness is reminiscent of Lukas Moodyson films, just not done as well. I couldn’t tell if the black comedy moments that broke the film up a bit were meant, or if it was jumpy / scary moments gone wrong… Overall it got more laughs than shocks, glossed over most of the risky material from the book (drugs, theft, pedophilia, prostitution) and is probably one of the most over hyped films I’ve seen. It was so wrapped up in Swedishness that I also spent the whole time waiting for a Lordi cameo. Definitely a love-hate film… and I hated it.

Score: 2/10