Momentum: an ex-military ‘ghost’ turned bank robber and her team get tangled up in a conspiracy after a high-tech heist. Think Salt or Colombiana but on a tighter budget and with no characterisation. Kurylenko is just right for this role: she doesn’t get to act much, runs around in a sassy robe and knickers for the first act, then does enough pouting, shooting, and punching through the rest of the movie to distract you. Purefoy on the other hand is good fun as the devilishly smarmy antagonist – essentially reprising his Joe Carrol role from The Following. Good acting feels like a bonus here as this is all about the highly styalised action; and on that front the film delivers: prolonged bank heist, car chases, home invasion, abandoned factory & airport showdowns – no box is left unchecked. For a 15-rated film, it’s pretty severe – “very strong language, strong violence, sex, sexual threat” – to quote the BBFC rating, which doesn’t even mention torture or child abuse – I kept thinking it had to be an 18. The biggest thorn in the movie’s side is the scatter-gun approach in tone: it’s a bit sci-fy-y, a bit superhero-y, a bit revenge-y, a bit quirky, a bit tasteless-y, a bit dark, and a bit leery (the girls are formidable – but still run around in their panties and hooker boots)… it makes watching Momentum confusing at times: having to judge if certain parts should be funny, or shocking, and if parts are cliché, or a more knowing parody. Momentum is a brainless, action B-movie with a hack plot (nothing wrong with that) but sports a fascinating veneer of fringe A-list actors, slick visuals, ambitious action scenes – it’s not Citizen Kane, but it’s nowhere near as bad as the one-star reviews and relatively unknown status would lead you to believe. An entertaining action film aimed primarily at teenage lads.
Literally dialing in his couple of scenes
The Guard: An odd Irish policeman teams up with an FBI agent to stop a major shipment of drugs. As the main character, Gleeson steals every scene and the entire show with his portrayal of an offbeat copper that switches between brilliance and insanity so often and effortlessly that you never know if he’s playing it straight or dumb. There’s a lot of other memorable characters woven through the story like Mark Strong’s disillusioned drug trafficker, both other bad guys, the elderly mother and rookie partner. The humour’s blacker than black, and drier than a bucket of sand – not for everyone, but for me it was fantastic, easily one of the funniest films I’ve seen so far this year. The story’s good, and keeps going through to the very last scene. The Guard is funny, sweary, a little surreal but very entertaining.
One Day Removals: Two removal men see their day go from bad, to worse, to worser, to – how do you say it… ah… ‘fucked’! Being a low-budget, local, film I didn’t really know how bad it would be, but was totally surprised when it turned out to be pretty damn professional. For a sub-b movie this punches above its weight. A really good black comedy, with quite an original story and enough laughs to make it enjoyable. The effects and gore are impressive, the sound mix is solid throughout and you can tell that a lot of effort has gone in to it. Unfortunately, only Scottish people will be able to completely understand this as it’s in the full-blown local dialect. It’s also the most sweary film I’ve seen in a long, long feckin’ time! The news spoofing and court montage are great, but it’s worth picking up the DVD for the ‘Sewary Edit’ and out-takes alone. You can buy the film here, and it would a great gift for any homesick Scottish / Aberdonian people you know!