Everly: after four years as a Yakuza sex slave Everly wants to be back with her family – and she’s willing to kill anyone that stands in her way. Welcome to Titty City: population 2, Salma’s girls. This film is ‘bootay central’ as Salma jogs around in silk nightgowns, low cuts, yoga pants… and the sprinklers even come on to give us a sexy wet-look finale! (classic move). She gets shot, burned, stabbed, tased, tied, tortured… but never looks less than fantastic. Being set in a brothel there’s also a long line of leggy babes dressed like all the fantasies! Not content with misrepresenting just women, this throws every Japanese stereotype you can think of in the mix: intelligent Asian man full of wise “my uncle once told me” proverbs; full theatre costumes with geta shoes; samurai sword / sai dagger wielding yakuzas; sprawling back tattoos, etc etc. On the upside, the film is very well made – looking as good as most big-budget pictures – and the SFX team does some great work with buckets of blood, severed limbs, and loads of new creative ways to kill people. I was rather enjoying it all until a nasty acid torture moment, which seemed to dip briefly into torture-porn territory and haul me out of the film. This type of movie isn’t for everyone, but Everly combines the story elements of an old-school rape-revenge rampage with modern over-the-top ultra-exploitative action; and it does both of those very well. Salma’s acting and director Joe Lynch’s enthusiasm raise this above the shlocky B-movie that it truly is.
B-Movie Score: 8/10
Tokyo Story: two pensioners from the country visit their children in the big smoke of Tokyo. The plot is almost non non-existent; as the plodding inconsequential family ‘drama’ (and I use that term very lightly) highlights the difference in values between the older – pre-WWII – generation and that of their children and grandchildren. To make matters even less exciting, the camerawork is dull, and for the most part, completely static – paired with plain & flat editing and direction. After the first hour it begins to feel more like an endurance test, and it definitely feels longer than its 136 minute runtime. In fairness, from an historic point of view, the film works best as a snapshot of Japanese life, and a turning point in the culture. There’s also a few touching scenes like the old guys talking about losing kids in the war, and how they all feel let down by their surviving children. As a period drama, this one is passable, but you just sit yearning for some plot or drama – 0% escapist and 0% cinematic. I don’t think it’s a completely terrible film, but that it relates to older generations – I feel like I’ll watch this in 30 years time and be devastated; but for now, it’s more like Tokyo BOREY!
As part of JAPANORAMA I am inviting fellow movie sites to join in. This post if from Mike at Screen Kicker Movies, an up-and-coming site full of film reviews and features that are oozing with funny writing and personality, making for easy and entertaining reading. He has chosen to review The Twilight Samurai – full review can be found on his site here. You can also follow Mike on Twitter @Metalmike25
The Twilight Samurai (Tasogare Seibei, たそがれ清兵衛) The movie really isn’t your typical samurai movie. It’s set during peacetime when samurai worked as accountants instead of warriors. Essentially they went from doing the coolest job in the world to the most boring job in the world. This is where we meet Seibei (Hiroyuki Sanada) a samurai/accountant/single parent (what a combo!) who struggles to make ends meet until he is presented with an offer he can’t refuse. Released in 2002 and directed by Yoji Yamada it throws a curve ball at anyone expecting a violent action movie. It tackles something I feel is much more important than the usual motive of revenge – it’s about how normal people survive when life has given them a hard time. It’s very relevant during these recession hit times, more so than when it was released and this gives it an immediacy that stays with the viewer. Combine this with romance, comedy, and some very cute kids, and you have a winner on your hands. All together it’s one of those films that gives you hope in humanity. Oh and a desire to get a kick-ass samurai sword.