Archive

Tag Archives: Rosamund Pike

Gone Girl Poster Ben Affleck, Rosamund Pike, Neil Patrick Harris, Tyler Perry, Carrie Coon, Kim Dickens, Patrick Fugit, Missi Pyle, Emily Ratajkowski, Casey Wilson, David Fincher, Gillian Flynn Gone Girl [Spoilers!]: on their 5th wedding anniversary an American Sweetheart goes missing, and it doesn’t take the public long to turn on the husband. This is a film of two halves split right down the middle: the first part is a dramatic and gripping missing person case that leads you down one path. The second half is where the film unravels – it would have been better if Amy had just stayed in the wind, followed her plan, or the plot just followed the downward spiral of Nick, but when Amy meets up with the demented ex, it opens up so many ‘that’s silly / the police would totally be all over it’ aspects and undercut the hard work of part I. It’s almost as if the longer the film goes on, the more silly it becomes – to the point of TV/B-movie. As with all Fincher movies it looks fantastic, it’s beautifully shot, well acted, but it’s all rather low-key, with none of the flare you’d expect from a director this good. The Blu Ray sound mix is also pretty shocking; music and soundscapes dominate and dialogue is completely lost in the mix. Had to watch with subtitles on. There’s a good critique of the media and how dangerous their clout is, paired with some minor social commentary – but for the most part it feels bolted on. All in all, an unremarkable David Fincher film is still way above your average movie – and for that reason alone, this is worth checking out – just dont’ watch it if you’re in a new relationship, or about to get married!

Score: 7/10

Gone Girl Ben Affleck, Rosamund Pike, Neil Patrick Harris, Tyler Perry, Carrie Coon, Kim Dickens, Patrick Fugit, Missi Pyle, Emily Ratajkowski, Casey Wilson, David Fincher, Gillian Flynn

The World's End 01 Simon Pegg, Nick Frost, Paddy Considine, Martin Freeman, Eddie Marsan, Rosamund Pike, Edgar Wright, Pierce Brosnan, Bill Nighy, Rafe Spal, Steve Oram,

The World’s End: five middle-aged friends re-unite to tackle the 12-stop pub-crawl that they never finished as teenagers. If you watched the trailer and thought that this looked a bit empty and silly then you’re completely right. No matter how good the director is (which he is), or how on-form the cast are (which they are) this is a great example that if you have a silly idea, you’ll probably end up with a silly film. It also has a few long stretches where there’s not many laughs – namely backstory. The cast are truly the best of contemporary British comedians, and a few bigger players thrown in: Paddy Considine and Pierce Brosnan, to name but a few – a well-picked bunch. The World’s End boils down to being a silly bodysnatchers movie that’s overflowing with 90s nostalgia, whilst pulling from some modern sources like Attack The Block, Hitchhiker’s Guide etc. Given the quality of Sean of the Dead and Hot Fuzz, I’d be lying if I said I didn’t expect more from The World’s End, still, it’s a decent Brit-Com, and a good enough way to close out the ‘Cornetto trilogy’.

Score: 5/10

The World's End 02 Simon Pegg, Nick Frost, Paddy Considine, Martin Freeman, Eddie Marsan, Rosamund Pike, Edgar Wright, Pierce Brosnan, Bill Nighy, Rafe Spal, Steve Oram,The World’s End pub crawl route:

  1. The First Post
  2. The Old Familiar
  3. The Famous Cock
  4. The Cross Hands
  5. The Good Companions
  6. The Trusty Servant
  7. The Two-Headed Dog
  8. The Mermaid
  9. The Beehive
  10. The King’s Head
  11. The Hole in the Wall
  12. The World’s End

Tom Cruise, Jack Reacher, Rosamund Pike, Richard Jenkins, David Oyelowo, Werner Herzog,  The Zec, Jai Courtney,  Vladimir Sizov, Joseph Sikora, Michael Raymond-James

Jack Reacher: an ex-military investigator is called in by a man who claims he’s been framed for the murder for five seemingly random sniper killings. Being based on a book, it’s got a good central story, packed with action and it moves along at a good pace, getting better as a conspiracy begins to unfold – although it’s seems deliberately obvious; the cooked evidence, motives and clues are easy for viewers to pick up. My biggest problem with this is that it reminds me how much of a ‘high-rent’ Jason Statham Tom Cruise is; same look, same voice, same haircut, same righteous quick-fire lines in every film – he never attempts anything new or different. There’s a couple of massive mis-steps that break up the tension – mostly the two bat-wielding goons that feel like they came from a Laurel and Hardy film, and the fingerless mastermind (Herzog!) – all seem unnecessary and out-of-place, given the otherwise serious / straight-up tone. Rosamund Pike‘s top also gets lower and lower as the film progresses. Back to the film, it’s a well-made piece, with some solid moments of tension like the opening scene – and sniper-scope-o-rama. On the other hand, you always know exactly how the film’s going to play out, and because Mr Reacher is ten steps ahead of everyone else, which forfeits a bit of suspense. Overall Jack Reacher is a decent, well-made, entertaining film, despite being a “bit wet” and a “genre picture” if there ever was one. Guns, fighting, cars, cleavage – it hits all the right targets.

Score: 7/10

Die Another Day: A mission in North Korea is sabotaged, goes tits up, and 007 is captured! After a prisoner exchange, losing his 00 plates, and going dark James Bond is determined to find the traitor, and investigate a newfangled millionaire with a history that’s too good to be true.

Another Day... of pointing guns at things

Die another Day starts fantastically: huge hovercraft action sequence (well handled, superb choreography, definitely cool), Bond gets captured, tortured to shit, ends up looking like The Dude then gets released back to a country that turned its back on him – so he goes off the grid again. M herself says “You’re no use to anyone now”, letting us all know that even James Bond, at the end of the day, is an expendable commodity.

14 months in prison and he comes out looking like Jeff Bridges?!?

I remember that with rumours circulating of another James Bond hitting the screen in the new millennium you were genuinely uncertain as to whether Brosnan’s Bond would make it back from Korea, if he’d live long enough to go on an adventure, or simply be replaced, mid-film for the first time…

A new super-group of villains... or ABBA tribute, I can't remember.

Looking back, a mid-film replacement would have been amazing for several reasons. It would have freshened up the films and their now standardised formula. It could be used to shed some light on the identity of “James Bond”. Most importantly, it would have saved Brosnan from looking pretty awkward for a lot of the movie. As Bond, Brosnan brought a lot of sides to the character, but his key feature was undoubtedly his sophistication, suaveness and confidence no matter what he was doing. Here however, after the opening he can only play it from one angle; dark, tortured, jaded Bond – and being honest, it just doesn’t work. I can’t tell if it was solely the Broz, or the B-movie script he was given but some of the scenes were absolutely shocking – watching him try to seduce Halle at the bar is cringe-inducing. It’s a shame because he has the best actor track record – to date.

What EVERYONE in Cuba looks like... not just their leader... everyone!

As 007 follows the leads we end up in Cuba, and – as always – the exotic nation is represented accurately and with taste: apparently everyone just samba‘s their way around town, has grey Castro-beards, smokes Cuban cigars and drinks Mojitos… Once Bond’s fucked up a health club in style he heads back to London, and the blades club. The first swordfight of the film is an absolute master-class in action, with loads of nice little innovations, both actors putting their back in to it, and a gradual build up – it really is gripping stuff. So far, this film’s surprisingly fresh, with an intriguing story that we want to see through…

This scene was so good it could have been a grand finalé

Then some problems start appearing in the as soon as we pass the halfway mark because – as we all know – people in the 2000s use to get bored after 60 minutes of good storytelling, so someone in production decided to turn everything up to eleven. The film starts throwing dozens of ridiculous things at the audience… virtual reality, invisible cars, a war suit, a dream machine, switchblade mini planes, a tiny ring that breaks any glass… Then there’s an onslaught of CGI that makes the film look like a low-budget affair; buildings, waves, icebergs, ice and hundreds of explosions!!! That can’t be boring at all, right?!?! Wrong! The film makes two supercars drifting on ice, firing rockets and machine guns at each other boring. It makes two scantily clad chicks having a swordfight to the death boring. It even makes an airplane perilously breaking up and exploding in the air… boring. The aforementioned CGI doesn’t help either – looking like it’s been drawn with crayons – the old-school rear-projection would genuinely look better than this.

Whoa!! Two supercarsszzzzzzzzzzzzzzz

Hale Berry’s character Jinx is pretty poor, literally waddling into the film and constantly quacking some of the most generic American lines with absolutely zero tact or timing – yo mama jokes, in a Bond film? Really? What’s the point in even having a US-UK sparring match, it’s 007, we all know he’s the best. Plotline redundant! Gustav Graves is a rubbish character, but sub-standard acting only makes him cheesier. And that’s it… nobody else really of note.

Kinky Jinxy gets stuck in her Bondage Bed - 007 has to bust her out. zzzzzz

Other unhealthy titbits are: ‘saved by the bell’, rubbish theme song (sounds like it was thrown together in an afternoon), credits that are integrated with the story (worked for me), an actual appearance by Madoga, “Sex for dinner, death for breakfast” (So good they say it twice!), and electricity manifesting itself in the form of 1980s blue lines, like it totally does in the real world.

Save christmas trees, lick wall sockets - zzzzzzzz

This film is what the word Bi-Polar was actually created to describe: the first hour is a solid, well-made classical Bond film with modern twists. The second half IS memorable but for all the wrong reasons, worst of which being the terrible CGI – my rule on this; if you can’t do it in-camera with a Bond budget, don’t bother!

Score: 4/10

Too many special effects makes this guy puke... (zzzzzzzz)

TOP TRUMPS
Villain: Bad actor – overly smug, diamond merchant. 4
Henchmem: Diamond-faced Zao – strong, smart, athletic, good match. Fiji guy – laser face. 6
Bond Girl: Hale Berry,  pretty. Fencing chick, ultra hot at the end. 7
Action: Hovercraft. Health Centre blowout, fencing/swordfight, MI6 break-in, Ice car chase, plane fight. 6

What a cool multicoloured face ma-zzzzzzzz

RELATED LINKS
M0vie Blog
The Reviewer
Follow all the action here