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Neon Flesh (Carne de neón) [Minor spoilers]: a small-time pimp opens a brothel to impress his mum, unbeknownst to him juggling prostitutes, gangsters and his crazy friends isn’t that easy! From the first frame this stinks of the last 15 years of thugz ‘n’ drugz type geezer movies; a ton of characters introduced one by one with quick cuts, in-frame text and cheeky chappy explanatory narration… it never really aims higher than that. A major weakness is that – although there’s sometimes good intentions in the longer run – individual story elements include: selling a baby, a transvestite getting their meat shot off, buying and disciplining trafficked women, playing Alzheimer’s for laughs, animal porn, a random woman ending up in a porno… it makes the characters hard to like, and some situations difficult to watch. Although it’s not original, the film’s style is perhaps the biggest positive; fast cuts, punchy visuals, slick camerawork… it looks great. You can find a handful of standout performances by heavyweight actors that don’t deserve to be tucked away in a film this schloky – there’s also a few moments of solid drama in the final act, but by then it’s too late. The major downfall with Neon Flesh is the juxtaposed premise: a slapstick comedy/crime caper set in a whorehouse‘. Trying to juggle the upbeat tone and loaded subject matter is too big a task for the director – and although I can usually see through gratuitous violence, smut, and bad taste – this one really goes to town.

Score: 3/10

The Whistleblower: based on the true story of Kathryn Bolkovac, a U.N. worker that uncovered a scandal involving human trafficking, forced prostitution, bent police, and her ‘peacekeeping’ colleagues. Being a politically loaded / statement movie you can’t really miss the two main agendas: highlighting the brutal & ugly side of sex traffic, and pointing out some flaws and cover-ups of the United Nations – both noble causes, and both elements are well covered, shocking, eye-openers. The cast match the tone of the film, and Weisz in particular is shit-hot, holding up the film, and keeping it rooted in reality (she wholly de-glammed for the duration). Behind the camera, it’s no-nonsense film-making; a couple of shock moments that are done in a blunt, realistic way – not much is explicit, but the implied scenes are harder to watch – all efficiently handled. Other than the pretty rough material, and being a tad on the long side, there’s not much to complain about. The Whistleblower is a shocking exposé, and a  thriller with no ‘action set pieces’ – and whilst it’s a fantastic dramatic powerhouse, it’s definitely not a Friday night flick.

Score: 7/10