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Kickboxer: Vengeance – when his brother is killed in an underground deathmatch by the brutal Tong Po, a young fighter plots his revenge with the help of a master fighter (JCVD). I love martial arts movies and despite what you’ve read elsewhere this is a solid remake. First off; there’s shitloads of fighting – as in every five minutes, fight fight fight. There’s all the punches, all the kicks, a homoerotic rain fight, workmen walking through fights with panes of glass… there’s even a couple of street / marketplace fights that remind you of something like Ong Bak. Director John Stockwell clearly knows and respects the ancestry of this film; retaining key markers like the training montages, and bringing back key cast members; he even throws in some gratuitous boobs… however, most of the cheesier elements have been dropped and the story is more (Tong) po-faced. Just when you think they missed out the infamous car crash drunk dancing scene our new lead pays his respects with some truly horrendous Van Damme jivin’ during the end credits. Casting-wise, the new lead (Moussi) isn’t much of an actor, but what he lacks in charisma he makes up for with some high end fighting/action/stunt prowess; Batista doesn’t have a whole lot to do, although he’s a larger-than-life baddie; meanwhile JCVD steals all of his scenes with his cheeky acting chops, legendary moves, and unbelievably shredded torso. My only real niggle was the weirdly flashy subtitles clearly aimed at people who don’t read subtitles!. There’s a lot of misplaced nostalgia for the original Kickboxer: it’s ultra-80s, it hasn’t aged well, didn’t actually contain much fighting or action, and was basically a showcase for JCVDs moves. Kickboxer Vengeance however is a worthwhile and respectful remake that’s short on acting but crammed full of action. A sturdy modern martial arts movie.

Score: 7/10

District 13: It’s the near future and entire urban areas of an unstable Paris are walled off to contain the scum! From the very first frame, this film’s an insane mix of athleticism, action, martial arts and physical prowess. The jaw-dropping breakneck action is complemented spectacularly with ultra-slick editing (that show’s every single jump clearly from start to finish) and pounding Euro techno/grime music. While the action’s totally nuts, it ends up being used quite sparsely and never really surpasses the opening chase scene. Much of the run-time is beefed up with huge sections of socio-political story, clearly rooted in modern France, which makes the story pretty believable. Despite there being no ‘real’ actors everyone’s good to watch and the two main guys in particular are solid – the theory Vs reality angle makes for some great back-and-forth. The style and feel are 100% gritty, urban, French and in-yer-face. Everything’s aimed at the guys, from the uber macho gangsters right down to the grotesque super sports cars. With the Taken director behind the camera and Luc Besson as producer you’re in good hands here, and although this goes down in most people’s books as ‘that parkour film’ it shouldn’t be overlooked, as District 13 winds up being a very enjoyable, solid action flick with remarkable stunts and a worthy & interesting story to match.

Score: 7/10