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The Raven: murders inspired by Edgar Allan Poe stories mark him as a suspect, however he and the police must use his specific knowledge to crack the case and find the real killer. Despite Renner, McGregor and Phoenix being marked for the lead, I don’t think any would have been as entertaining as Cusack, who film heavily relies on to elevate it above a standard thriller – he nailed the hard job of playing a watchable, likable asshole. Supporting cast are also solid, from Evans doing a Nelson Van Alden to Alice Eve‘s boobs and teeth – Gleeson‘s accent though, WTF?! The story’s dark, accompanied with some explicit gore and graphic death scenes. There’s some sneaky misdirection towards the end, and the killer could have been anyone really; the post script in Paris is also a little out of tone with the rest of the movie. It’s well-directed, with some great suspense built up, particularly in the pursuit and masked ball scenes – it also never drags. The script is generally good, although there’s some tactical swearing and spats of dialogue that seemed a little obvious and uninspired for such a great mind. Sure, a killer looming over foggy candle-lit 1800s streets isn’t a new idea, but I’m surprised at the heavy critical bashing this has taken; although perhaps it’s because this is only my first Poe movie, so have no comparison? For me, The Raven was a thoroughly enjoyable, old-fashioned, ‘classical’, gothic, Hammer-esque, atmospheric murder mystery romp with a hint of Giallo – and all the better for being a blend of fact, fiction and Poe’s famous works.

Score: 7.5/10


Faster: Dwayne “The Rock” Johnson, an insane gun and a fast muscle car are out to avenge his dead brother ten years after a failed heist. Despite everything about this film looking awesome, it’s totally pants. For a stripped down revenge film there’s almost no action and only a handful of kills. Dwayne almost goes full retard, with no expressions and about two pages worth of lines in total. Then there’s the wholly unnecessary assassin side-story that serves absolutely no purpose but to beef the film up – and has no payoff. Billy Bob turns up and does his thing; nobody else leaves a mark. Also, for an R-Rated revenge film with an action star, massive guns and fast cars there’s no boobs… genre fail! The two-minute Red Band trailer honestly has the whole story – and all the best bits. If you can’t tell by now, Faster is a waste of everyone’s time and money, that’s been done about a million times, and far better.

Score: 1.5/10