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Tag Archives: Noah Segan

Brick: when his ex-girlfriend goes missing, a teenager goes prodding around in his school’s underbelly to try to find some answers. Given the high school setting and the film’s leanings towards a Noir detective story – where everything down to the dialogue & clothing of feels old-timey – you don’t really get many films with such a uniquely stamped style and feel. Borrowing so heavily from the Noir genre starts off quite refreshing, but becomes borderline tedious and annoying by the end – it’s also the film’s biggest downfall that anybody remotely familiar with the genre will see the major twist way, way before it’s revealed. The olde vernacular and slang-heavy dialogue also flips and flops between cool and stupid, as some parts become hard to follow, given the speed of delivery and unfamiliar phrasings. The adherence to Noir also means that the characters are simply drawn – one-dimensional – and overly familiar. The film’s stupendously shot: light in particular is used superbly throughout to add crazy good detail, depth and subliminal characterisation – especially during the indoor scenes. It’s also full of nice little touches, details and tricks that raise it above your average genre rip-off picture. As a crime story Brick pretty good, but it’s a film that is 100% defined  as a modern take on 60-year-old conventions: sure it’s unique, stylish, funny and entertaining, but it’s also predictable, clichéd and full of stock characters because of its rigid adherence to the Noir genre. The positives do outweigh the trappings, making Brick worth a watch.

Score: 7/10

Looper: when time-travel is invented the mafia use it to send people back in time to be killed by hitmen called ‘Loopers’. The first 30 minutes of Looper is a stunning, high-concept, fast-paced, interesting sci-fi/physics thriller; last 15 minutes is an action-packed, satisfying finale; the problem lies in the middle hour, which is a bog-standard – stretched-out – farmyard drama, where any notion of sci-fi takes a back seat. The future is sensibly crafted, rooted in today’s world but with more decay/poverty – the setting, technology and small details are great at fleshing out the era. Not unlike Brick, there’s a bit of a retro/Noir vibe running through the props, locations, names etc. JGL absolutely steals the show, not only with a solid performance, but by convincingly echoing the mannerisms of a young Bruce Willis – even if the make-up looked way more like Buster Keaton. For a while, I thought that Looper was going to out-do Primer, but it went off-track for far too long. There’s no arguing that there’s a great concept at the heart of the movie, however it feels like the balance between sci-fi and drama had been made less even in order to widen the film’s appeal. Would have been an unbeatable 80/90-minute hard sci-fi film, but at 2 hours it feels unnecessarily long.

Score: 5.5/10