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Tag Archives: Neck… STAB!!

The Raid: Redemption – a team of elite cops storm a high-rise building in the hopes of capturing a vicious crime lord. I walked in expecting a decent action film, didn’t think I’d be watching cinema history. There’s around 10 minutes of story scattered through the film, and it rarely drops below a sprint for the 80 minute runtime. The cast are championed by a few unbelievably talented action/fighting stars – who deliver scene after scene of lengthy, intricate, and phenomenally choreographed fights, with moves that make you shout ‘HOLY FUCK’ about every 30 seconds. There’s machete fights, close combat, martial arts, wrestling, SWAT raids… it’s all there, in abundance. The violence is pretty brutal, explicit, 18-rated gore – matched by some body abuse from the most insane, dedicated (potentially stupid) stuntmen. Some decent tension is built up in parts, and overall the film is well-shot and stylishly directed – it’s also breaks up the relentless action with flashes of dark humour. With 5 minute long action scenes every 6 minutes and a pile o’ bodies left on every floor The Raid is an action film that truly delivers – it completely re-writes the book on action cinema by cutting through all the guff we have come to put up with and by being all killer, without a single frame of filler. It raises the bar, then kicks it in the face, stabs it, shoots it, loads it into a bazooka and blasts it in to space. I sincerely hope that this opens the floodgates to a barrage of awesome Eastern action flicks, as it beats the shit out of every big-studio Hollywood / UK action movie I’ve ever seen. The Raid‘s better than fantastic; it’s the best, and most important action film I can ever remember watching.

Score: 10/10

Giallo: when a string of beautiful foreign women are abducted, brutalised and dumped in the streets of Torino an air hostess and jaded detective join up to catch the killer. Everything about this reeks of a cheap 1980s horror; the foreign setting, production values, film quality, characters, hairstyles, music, storytelling, and the ridiculous villain… Other than a few modern-ish torture scenes, this could easily be mistaken for an old, cheap film. There’s an eccentric pan-European cast, with some terrible acting and broken-English phonetic dialogue delivery, headed up by Brody, as a hammy New Yorker who looks like he’s forgotten everything he learnt about convincing acting. What’s most disappointing is that Dario Argento, someone who was once a master of the horror genre, is still pumping out films that show zero progression from his 1970s/1980s titles – if anything, they were far superior. It’s under 90 minutes long, yet contains so many unnecessary filler shots. Basically, this is no better or different to any of the thousands of low-budget shitty horrors you’d find on satellite TV  (although some score higher!). At its best, this is a semi-competent euro-slasher. At its worst, it’s like a spoof genre picture where a pursuing policeman falls over after running into a mop. I’ve seen it all before, far better.

Score: 2.5/10