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Deutschland 83 East West, Jonas Nay, Maria Schrader, Ulrich Noethen, Sylvester Groth, Sonja Gerhardt, Ludwig Trepte, Alexander Beyer, Lisa Tomaschewsky, Carina Wiese, Jens Albinus, Nikola Kastner

Deutschland 83: an East German foot soldier is sent to the West as an undercover spy to monitor the military, NATO, and carry out bespoke missions. I usually avoid lazy comparisons, but for simplicity, think The Americans or Homeland, with a younger & more naïve lead – and leveled at a younger audience. The show boasts a lot of inter-connected small and larger stories packed in to the 8 episodes, which helps to develop and justify each of the supporting cast members, and gives most of them some time in the spotlight. For the most part the acting is solid, nobody stands out as being rubbish. Set in 1983 (shock!) the period detail is very interesting, and arguably the biggest draw of the show: not just the nostalgic items on-screen or the dominating era-specific pop soundtrack, but differences between the East/West, and other background stuff from like the AIDS epidemic and the constant threat of nuclear annihilation. Unfortunately, the ending’s a bit too open-ended for such a dense and small slice of the Cold War; like one of the fat cat producers hoped they’ll be making Deutschland ’85 and ’87 in the near future. The only thing that bugged me was the lack of clarity regarding time: the lead transformed from a rookie footsoldier to a stone-cold, poon-slaying, espionage-master overnight, and some of the stories lurched forward days and weeks with no real indication. Overall, Deutschland ’83 is an impressive high-budget, well-acted, fascinating and entertaining drama; it’s maybe not quite as good as the hype (it’s the most successful foreign TV show in UK history!), but it’s a solid show, and another positive step towards the HBOification of Eurpean TV.

Score: 7/10

Deutschland 83 ARMY BROS, Jonas Nay, Maria Schrader, Ulrich Noethen, Sylvester Groth, Sonja Gerhardt, Ludwig Trepte, Alexander Beyer, Lisa Tomaschewsky, Carina Wiese, Jens Albinus, Nikola Kastner

 

213070-afterpornends

After Porn Ends: doc that catches up with some porn superstars of yesteryear and sees what they’re doing having left the industry. This doesn’t feel much like a conventional documentary – there’s no narration, or much of a narrative for that matter, just feels like you’re listening in on people storytelling; which has some merits. The biggest surprise is how smart and pragmatic some pornstars are (one actress is in mensa!), but this feels short-lived as it’s quickly balanced out by the ridiculously vapid bimbo stereotypes that also show up. You have to be a unique person to enter this kind of work, and in a way that’s what keeps this watchable – these people have led quite fascinating, peculiar lives during their porn careers, then as an ex-porn star societal pariah. The most interesting – and telling – part of the film however is seeing what happened after the interviews in the pre-credit titles. In the same way that ‘Side by Side’ was about the transition in cinema, this feels a bit like old-timers reminiscing about the glory days / ‘golden age’ of porn. All in all, After Porn Ends is surprisingly watchable, yet it’s a little unforgivable that someone could stitch together a film this flat and ordinary when it features so many people with remarkable stories (like a world-record breakin’ gangbang featuring 500 men!), working in the world’s most taboo and sensational industry.

Score: 4/10