Archive

Tag Archives: graffiti

green-room-poster-band-anton-yelchin-alia-shawkat-joe-cole-callum-turner-imogen-poots-patrick-stewart-macon-blair-mark-webber-kai-lennox-eric-edelstein-samuel-summer-david-w-thompson

Green Room: when they witness a murder in a remote neo-nazi music venue crusty-punk band “The Ain’t Rights” have to fight their way out. It’s the sort of weird blurb that you’d expect from a shitty B-Movie, but this one is anything but that. The setup is a great portrayal of the Punk/DIY scene and touring life in general; whereas the main chunk of the film switches to a tense, claustrophobic cat-and-mouse thriller as the band are trapped, and the balance of power inside/outside the room shifts back and forth. The final act changes gears yet again into more of a generic hillbilly survival horror story; yet keeps up with the breath-holding, seat-grabbing set pieces. The film is littered with moments of ultra-violent ultra-gore; limbs being slashed, people being gutted, graphic gunshot wounds… which are offset with some wonderfully wicked black/morbid comedy moments; like fighting off a dog with a mic stand and getting ridiculous feedback from the PA system. Visually, the film is very slick and the director skillfully keeps the majority of the runtime confined to a the small, grotty, bar: unsurprisingly, all of the green colours have been popped out, giving it a vibrant – almost neon – wash. The entire cast is solid; it’s a great turn by Yelchin in one of his final roles, and it’s fantastic to see someone straight like Patrick Stewart play a proper ruthless peesashit baddie. Green Room exceeds all expectations for a film with its niche plot, and is handled exceptionally by the cast and director, creating a solid and effective thriller.

Score: 7.5/10

green-room-building-dead-kennedys-tshirt-anton-yelchin-alia-shawkat-joe-cole-callum-turner-imogen-poots-patrick-stewart-macon-blair-mark-webber-kai-lennox-eric-edelstein-samuel-summer-david

List of bands mentioned / referenced: I’m sure there’s more!

Fugazi, Dead Kennedys, Dillinger Escape Plan, Misfits, Black Sabbath, Simon and Garfunkel, Prince, Madonna, Slayer, Iggy Pop, Minor Threat, Distillers, Dare to Defy,

green-room-nazis-jean-luc-pickard-anton-yelchin-alia-shawkat-joe-cole-callum-turner-imogen-poots-patrick-stewart-macon-blair-mark-webber-kai-lennox-eric-edelstein-samuel-summer-david-w-thom

green-room-confederate-flag-pout-bomber-jacket-anton-yelchin-alia-shawkat-joe-cole-callum-turner-imogen-poots-patrick-stewart-macon-blair-mark-webber-kai-lennox-eric-edelstein-samuel-summer

Luther (Series 2): Detective CI John Luther Thud! Is back on the streets of London Thud! Stopping more bad guys Thud! and saving the day Thud…  Hear that? That’s the sound of the BBC dropping the balls of everything that made series one great. 1) Format changed from 1 hour 1 case to 2 hours 1 case – also instead of 6 there are only 4 episodes (and only 2 cases) 2) Bad guys are ridiculous, one is straight out of a Saw film, and the other was just a normal nerd – neither particularly scary, or believable 3) Good, established characters are neglected – most noticeably crazy Alice, who is majorly poo poo’d – and the show suffers big time – and Schenk, who was hot on Luther’s heels in S1 and now his immediate boss. 4) Worst side story ever (Geezers, porn, drugs…)  although I strongly suspect it was written as a 2-episode case, but was so bad they cut it in to the others as a backstory. 5) Super-Luther… he was suspiciously good in Series 1, but it’s all a bit too “just one more thig…” this time round. On the up side, there’s some really tense scenes, we get more of Ripley, the acting and production are to a high standard, and it’s still watchable. Don’t get me wrong, Series 2 is still good TV by UK standards, but it’s a mere shadow of the brilliant series 1.

Score: 5.5/10