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01 - Love Exposure - Takahiro Nishijima, Hikari Mitsushima, Sakura Ando, Makiko Watanabe, Atsurô WatabeLove Exposure (愛のむきだし): everything’s epic these days: a night out, food, car insurance, 99% of fails… how about this for a movie epic: a 4 hour film examining the relationships between religion, cults, family, perversion, sins, obscenity, love, erections, and upskirt photography. THAT’S EPIC! First-off, it feels a lot more like a TV series: technically (camerawork, budget, quality etc) and story-wise in the four, quite individual hour-long segments of the film. The acting however is fantastic; all three youngster are great to watch, but the two main adults are particularly engaging and believable – really adds to the drama. When one of the main story threads is the usage of ninja moves (and weapons) to take upskirt pictures in order to sin – it’s mental, it’s batshit mental, and when you throw in some schoolgirl karate lesbians it could really only be from Japan. In saying that, it’s all done very well and with lots of humour, much like the pervert’s motto the film is “Careful, Oblivious and Bold”. Staying true to it’s subject matter, there’s at least one – if not a montage – panty shot every 10 minutes – so if that’s your bag, this is an absolute must-own. For being as long as it is, the melodramatic final half hour is the only time the film feels like it’s truly stretched. Love Exposure is a lot of things, but at four hours (237 minutes!) long, and containing this subject matter – forgettable is definitely not one of them.

Score: 7/10

06 - Love Exposure Takahiro Nishijima, Hikari Mitsushima, Sakura Ando, Makiko Watanabe, Atsurô Watabe05 - Love Exposure Takahiro Nishijima, Hikari Mitsushima, Sakura Ando, Makiko Watanabe, Atsurô Watabe04 - Love Exposure Takahiro Nishijima, Hikari Mitsushima, Sakura Ando, Makiko Watanabe, Atsurô Watabe03 - Love Exposure - Sakura Ando - Takahiro Nishijima, Hikari Mitsushima, Sakura Ando, Makiko Watanabe, Atsurô Watabe10 - Love Exposure - Hikari Mitsushima -Upskirt Panchira パンチラ panty-shot Takahiro Nishijima, Hikari Mitsushima, Sakura Ando, Makiko Watanabe, Atsurô Watabe

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JUAN OF THE DEADJuan of the Dead (Juan De Los Muertos): when zombies infest Havana Juan and his friends start up a zombie disposal service for survivors that want zombies out of their house. For a zom-com this is, crucially,  really funny – the film’s held together with great moments of dark humour, and several genuinely laugh-out-loud running gags about the zombies being branded “dissidents” by the government, harpoons and poking fun at wider horror clichés. For a country with such a tiny film industry, it’s well shot and directed – with decent action scenes (mostly hacking and slashing) – and it looks great, save for some lame CGI explosions. The political undertones and jibes at the government are great because it’s something that Romero did at the beginning of the Zombie resurgence that has been lost in the plethora of modern flicks. Being Spanish, it does suffer from some over-acting, with most of the supporting cast ‘hamming it up’, and for some reason, a completely unnecessary random man in drag. It’s also crammed with naff music that sounds ripped off of cheap TV adverts and old ‘carry on’ films. Juan of the Dead is far more than just a witty title  (and tagline “He’s Havana killer day”) – it’s a funny, entertaining zombie romp with more to say than most horror films.

Score: 6.5/10

“She’s a blogger; one of those people that write nonsense on the internet”

Doberman: follows cops, robbers, bent cops and transvestites entangled in a feud & bank robbery – although there’s only a few minutes spent in the bank. The film has a strange, over-exposed and grainy, look but remains slick and stylish throughout. There’s a ton of hyper violence culminating in the world’s worst facepalm, but it’s all pretty surreal as it’s based on a pulp comic. The script’s just as brutal and not very PC, mainly due to the transvestite / gay / fetish characters and general eccentric stereotypes. Also, what is it with directors treating Monica Belluci so roughly? Unfortunately, it lacks the depth, substance and story of similarly styled Besson / Tarantino films. Definitely a visual treat, but it’s a bit of a no-brainer and stays in-your-face from the very first frame. Style over substance.

Score: 6/10