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Irreversible Tunnel Rape Scene Monica BelluciThink of the most powerful movie scenes you can remember? The scenes that shocked and grabbed you. The moments that punched you in the gut. The takes that made you fall in love with Cinema. My guess is that they’re not from a kids film?!?!? For me, there’s something more raw, powerful and hard-hitting about the scenes and themes in 18-rated film that lesser certificates fail to match. Despite this, it feels like there are almost no 18-rated movies being released in the UK any more.

In Britain we have the following certificates for cinema-screened movies, issued by the BBFC (British Board Film Classification)

U: Universal – everyone can watch
PG: Parental Guidance
12A: Children under 12 must be accompanied by an adult
15: Fifteen years and older
18: Eighteen years and older

The Exorcist Regan Head TurnBetween 2003 and 2013 the number of films released in UK cinemas jumped from 587 to 994; a raise of 59%. U-rated films went from 60 (10% of all films) to 127 (13%), 12A went from 153 (26%) to 321 (33%) yet the number of 18-rated films has gone from 56 (9.5%) to 68 (6.8%). Of the 28 UK box office number 1 movies this year so far, only one – The Wolf of Wall Street – was an 18; and the last 18 before then was Dredd back in September 2012.

Fargo WoodchipperIn reality, most of what comes out would be broadly categorized as either kids/family films (PG/U), teen/comedy films (12A), and thriller/horror films (15-18). Despite this, distributors seem hell-bent on cutting 18s down to 15s, 15s down to 12As, and 12As down to PG. It’s frustrating because you pay good money to see a film that’s been censored by the distributors to maximize the bums on seats – but the studios release the DVD as the higher certificate anyway.

Battle Royale Suicide Pact Poison FoodMost notoriously, The Hunger Games dropped 7 seconds of ‘gore’ to limbo under the 12A bar. Doesn’t sound bad? Think how much more powerful it would have been with a little bit of blood or some realistic swearing in there! I zoned out of the ‘fighting’, as you saw someone hack into an opponent, and raise their weapon which was clean and shiny. Rubbish! Sure, it didn’t have to be another full-blown Battle Royale, but don’t sanitise it this much – at the end of the day, it’s kids killing kids!

Die hard Dead Henchman ho ho ho now I have a machine gunA Good Day to Die Hard was another movie that was intentionally cut from a 15 to a 12A – by removing some violence and swearing. This is a franchise that started life as a genre-topping hard-18 action thriller, which has been diluted down to a family-friendly romp. You know what I say to that? “if you’re not a part of the solution, you’re a part of the problem. Quit being a part of the fucking problem!!”

These films aren’t alone – Jack Reacher lost some violence to drop from a 15 to a 12A. Woman in Black was a 15 that got trimmed down to a 12. Robocop & Total Recall, both originally ultra-gory 18s were re-made as 12As. Machete was an 18, Machete Kills – 15… I’m sure you get my drift

Dawn of the Dead iconic zombieBut it’s not all bad news. Nebraska last year should have been a 12A, but for the term C*cksucker being deliberately left in by the director – Alexander Payne, step up and receive your bravery medal. And then there’s Airplane! A film that has been a PG for over 20 years, but was recently has been uppded to a 12A for the sexual references – I guess I picked the wrong day to look up film certificates.

Where did all the brash, bold, action-packed, risqué, sexy, and ballsy film-making go? And why the fudge are the Jackass Movies all rated 18?!?!?!?!

Because one massive blogging meme just isn’t enough, Marc from Go See Talk took it upon himself to herd cats and get another on the go. This time, it’s about the films that really got us into the movies, and that have ultimately shaped our tastes into what they are today. To find out what everyone else wrote, here’s the master list.

As a nipper, the only surefire way to shut me up for a couple of hours was to plonk me in front of a telly, put on a VHS (those were the days!) and let cinema work its magic. Luckily for me, although my mum and grandad never had as big a collection theirs kicked arse, lots of arse. Below are a few of the films that got me into four of my favourite genres:


Action:
as a kid, very few things could match the awesomeness of a James Bond flick. The stunning locations, prettiest women, finest vintage and supercars, cutting-edge technology & gadgets, craziest megalomaniacs, and of course – a super spy to match them all, 007. Even thought we know that Bond always saves the world and gets the girl – and no matter how many times they put that formula together – you usually end up with 90 minutes of cinema gold. The Bond films didn’t just change my taste in film, but was a shot in the arm for the entire Spy genre, inspiring everything from Indiana Jones to inception, Austin Powers to Bourne to Mission Impossible… not to mention and a thousand other rip-off movies and scenes.  Despite knowing every film inside out, Bond’s timeless appeal is still so strong that I recently got the re-mastered Bond collection and plan to start a bond-a-thon soon.

Comedy: makes up a huge chunk of my personality, which I can attribute to a healthy diet of classics from a young age. My super mum was forced to watch her Blazin’ Saddles, Young Frankenstein, Airplane! and the Original Mr Bean tapes way more times than I care to think about. Although great gags deliver the chuckles in a comedy film people easily forget that a comedy is nothing without funny characters, and the films mentioned above have some of the best in the genre – Igor, Waco Kid, Sheriff Bart, Striker, Rumack, Mr Bean…  Other than setting a stupidly high bar for every comedy I’ve seen since, these films have helped me mold a sense of humour that’s seen me perform stand-up and play as a self-deprecating comedy singer for years!

- What do you like to do? - Play chess... screw... - Well, let's play chess.


Horror / Zombie:
As a teenager my pal Lummy and I went through a spell of somehow convincing our parents to rent us formerly banned and 18-rated films from our local blockbuster (those were the days!). Titles that stick out the most are Zombie Flesh Eaters (The scene when a chick gets here eye impaled on splintered wood will stay with me forever!), original Dawn of the Dead (although you couldn’t go wrong with any Romero flick – King of the Zombies) and Evil Dead Trilogy (This is My Boomstick!). While literally quenching our thirst for blood, guts and gore these titles also kicked off a life-long love/hate relationship with B-movies, video nasties, the horror channel, and the weird & wonderful Vipco titles. Unfortunately this genre is the least consistent because there are an unimaginable number of terrible titles out there… but that’s kind of why I love it.

Word Cinema: last but not least! Despite seeing the odd foreign film here and there my passion exploded while doing a crash course on World Cinema – purely to make up learning credits at University.  One of the assignments was writing an essay on Lars Von Trier’s Europa – the epic and original visual style, imagery and execution made me realise that there was fantastic cinema beyond UK/US releases. The course also studied and screened quintessential Godard, Fellini, Kurosawa, Bergman, Kieslowski, Truffaut and Lang films. Furthermore, the University library had an outstanding collection of foreign titles from the ‘essential’ classics to all big modern releases. I genuinely went through around 3 films per day in Uni, 90% of them were foreign. Even if it does make me sound like an arse, I generally can’t trust people that snub subs!

Honourable mentions must go out to The Lion King, Mary Poppins and The Matrix – all of which I remember watching until the VHS was worn down… those were the days!

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Cheers!