Gone Girl [Spoilers!]: on their 5th wedding anniversary an American Sweetheart goes missing, and it doesn’t take the public long to turn on the husband. This is a film of two halves split right down the middle: the first part is a dramatic and gripping missing person case that leads you down one path. The second half is where the film unravels – it would have been better if Amy had just stayed in the wind, followed her plan, or the plot just followed the downward spiral of Nick, but when Amy meets up with the demented ex, it opens up so many ‘that’s silly / the police would totally be all over it’ aspects and undercut the hard work of part I. It’s almost as if the longer the film goes on, the more silly it becomes – to the point of TV/B-movie. As with all Fincher movies it looks fantastic, it’s beautifully shot, well acted, but it’s all rather low-key, with none of the flare you’d expect from a director this good. The Blu Ray sound mix is also pretty shocking; music and soundscapes dominate and dialogue is completely lost in the mix. Had to watch with subtitles on. There’s a good critique of the media and how dangerous their clout is, paired with some minor social commentary – but for the most part it feels bolted on. All in all, an unremarkable David Fincher film is still way above your average movie – and for that reason alone, this is worth checking out – just dont’ watch it if you’re in a new relationship, or about to get married!
Wall Street – Money Never Sleeps: 20 or so years after the first Wall Street film Gordon Gekko is released from jail and tries to warn everyone about the upcoming 2008 crash, while making amends with his estranged daughter. First off, it’s painfully ironic how a movie explaining that consumerism and greed caused the recession could be used to advertise so many brands. Only an absolute tool could sit through this and not realise that they paid good money to watch a +2 hour advert; with the most shameless product placement since iRobot – Heineken, Ducatti, Lays, Y3, iPhone, Borders, Macs, 5-hour Energy are in-your-face for the duration, peaking with a 30-second montage of Bulgari jewelry – for real. Pretty much every character is an under-developed stereotype: greedy-corrupt-cigar-smoking-over-bonused-bankers, quirky-left-leaning-liberal, mad-scientist-with-a-vision… what’s worst is that nobody’s particularly likable – not even Gordon Gheko. Add to this the fact that nobody’s in any real danger, and that it’s impossible to relate to (let alone feel sorry for) a bunch city bankers and you end up with an unengaging movie. There’s more – it’s about 40 minutes too long and twice as wordy as it needed to be; crammed with semi confusing high-finance terminology – but even that couldn’t mask how shallow the film was. The rotten cherry on this shit-flavoured cake was the loud and bland indie soundtrack. I’ve never seen the first one, and unless anyone can convince me otherwise I never will after seeing this. Overall the film’s as empty as LaBeouf’s screen presence – money may not sleep, but I almost did; twice.