Magic Mike: loosely based on Channing Tatum’s early career (supposedly), it depicts the lives of several male strippers; some of whom want to party all the time, but others want more than the superficial lifestyle. Not really sure what the film was trying to convey… life is tough when you’re a stripper? Yeah, it must totally suck to be a handsome, young, guy that women will do anything to bone – SYMPATHY FAIL! McConaughey is on top crazy form – doing that deranged southern thang that only he can do this well. Is Magic Mike essentially Striptease / Showgirls for women? Pretty much, but the main differentiator is that Soderberg is behind the camera, so it’s done with an indie sensibility; and has been coloured/filtered to oblivion. When it comes to the crunch, it doesn’t feel like there’s much of a film in here at all, just an excuse for the ladies (and some guys) to see CT, MMc, Kevin Nash and a few other guys all oily and six-packy.
Note: there are a couple of ladies in here… somewhere.
End of Watch: two of LAPD’s finest end up with a bounty on their heads after accidentally disrupting the activities of a brutal cartel. From the opening car chase this feels very realistic, shot primarily on dashboard / surveillance / handheld cameras etc. This style not only lends itself to authenticity – glamour is played down throughout – but heightens the drama and urgency of action sequences. Both leads (Gyllenhaal and Peña) are superb, the naturalistic script makes them genuinely feel like friends, and their performances make you believe that they are regular guys – the fire scene in particular shows us that they are real heroes. What sets this aside from most cop films is that the antagonists are painted as being so ruthless and violent that there’s a genuine sense of danger that simmers throughout the film, hitting boiling point at the climax. My only major issue is that because the overall style is ‘handheld’/’genuine’ footage, characters in the middle of drive-by shootings / full-blown firefights / intimate moments are always carrying a camera/phone etc; even when there’s plenty shots in the film that aren’t handheld, so it seems a bit stupid. Also, if the penultimate scene had been cut, the ending would have also been so much more powerful. Niggles aside, End of Watch is a stunning cop film, with a strong ‘buddy’ vibe, real threat and two great performances at its heart. This is easily the best cop film in years, and arguably ever.