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47 Ronin, Big Ninja Boss, Keanu Reeves, Hiroyuki Sanada, Tadanobu Asano, Rinko Kikuchi, Ko Shibasaki, Min Tanaka, Cary-Hiroyuki Tagawa, Jin Akanishi, Masayoshi Haneda, Masayuki Deai, Togo Igawa, Gedde Watanabe,

47 Ronin [mild spoilers]: follows a group of disgraced samurai as they set out to avenge their murdered master. As it’s a Hollywood film it obviously contains every single ‘western portrayal of Asia’ pitfall imaginable – everyone speaking ‘Engrish’, exotic mystique, ninjas/samurai everywhere, forbidden gaijin romance, cherry blossom, western warrior, kanji writing, tradition, tradition, tradition… Because of this – and given the foul reviews this received – I was expecting something woeful, but this is pleasantly surprising. The visuals are fantastic: it is a touch over-styalised – some parts feel like Sucker Punch set in feudal Japan – but the costumes, textures, sets, CGI backgrounds are all eye-poppingly sumptuous: it’s up there with The Fall’s immaculate design. Story-wise, other than a few swashbuckling & sword fighting action set pieces, this is definitely more of a drama than you expect: the story arcs are all fairly standard until the ‘happy’ ending – a mass samurai suicide instead of a mass criminal hanging – yay! The biggest complaint you hear about this is that it’s nothing like the original story: WTF?! This is a blockbuster movie… and there are so many fictionalized accounts of this tale that there’s a specific entire genre term for it – Chūshingura! The weirdest thing about 47 Ronin is that it plays to two wildly different audiences – it’s half respectful and traditional samurai movie; and half Game of Thrones style middle-earth mayhem (battles, questing, magic & mythology). Overall, it’s an interesting, and beautiful, oddity that could have been great, but is by no means a terrible movie.

Score: 6/10

47 Ronin, Silhouette Keanu Reeves, Hiroyuki Sanada, Tadanobu Asano, Rinko Kikuchi, Ko Shibasaki, Min Tanaka, Cary-Hiroyuki Tagawa, Jin Akanishi, Masayoshi Haneda, Masayuki Deai, Togo Igawa, Gedde Watanabe,

47 Ronin, Set Keanu Reeves, Hiroyuki Sanada, Tadanobu Asano, Rinko Kikuchi, Ko Shibasaki, Min Tanaka, Cary-Hiroyuki Tagawa, Jin Akanishi, Masayoshi Haneda, Masayuki Deai, Togo Igawa, Gedde Watanabe,

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The 47 Loyal Ronin Kazuo Hasegawa, Shintaro Katsu, Kōji Tsuruta, Raizō Ichikawa, Machiko Kyō, Fujiko Yamamoto, Michiyo Kogure, Chikage Awashima, Ayako Wakao, Yatarō Kurokawa, Eiji Funakoshi, Eitaro Ozawa
As part of the JAPANORAMA feature I am inviting fellow movie sites to join in. This post is from Michael over at It Rains… You Get Wet (a sweet Heat reference). The site is full of great articles, although I particularly like the TMT series of posts, which are great pieces of cinema nostalgia – and make me wish that I could visit such grand cinemas in their heyday. You can also follow Michael on Twitter @le0pard13.
The Loyal 47 Ronin (忠 臣蔵 Chushingura) (1958), directed Kunio Watanabe, is based on a historical event that occurred in early 18th century Japan. In that ancient land, it’s the national legend typifying the samurai code of honor, bushidō. I daresay, few westerners before World War II knew of it. Of course, after 1998 that number went up significantly with John Frankenheimer’s espionage-thriller Ronin, which used the famed tale as allegory to its own. Its summation works well here, “Forty-seven samurai, whose master was betrayed and killed by another lord. They became ronin – masterless samurai – disgraced by another man’s treachery. For three years they plotted, pretending to be thieves, mercenaries, even madmen – that I didn’t have time to do – and then one night they struck, slipping into the castle of their lord’s betrayer and killing him.” Essentially what transpires in this film and all the other versions of it (there are a lot). Beautifully shot in widescreen, and considered by many scholars to be the most accurate and best, it’s stage heritage does keep it bound some. But as a timeless yarn of honor and revenge, it doesn’t get any better than this. Shogun Assassin fans should stay far far away, though, as the film’s almost three-hour runtime is its own test of loyalty.