2 Guns: two undercover agents go in for a big drug bust, but neither knows the other is also wearing a badge! With Wahlberg playing a flirty street-smart, wisecracker and Denzel going for the moderately stoic sensible man-with-a-plan it’s safe to say neither is out of first gear, but if it were two unknowns, you wouldn’t have even heard of this – so they’ve already earned their pay cheque. In other departments, the quirky bromance is quite fun to watch, the plot is standard, but entertaining enough to keep you interested, and the action is serviceable for a movie like this. The biggest problem with 2 Guns is that it’s just so forgettable, and about as edgy as an 8-ball: you’ve seen everything in here elsewhere, and better. It feels like the kind of film that was made to fill in a space in the schedules, or because there was some spare cash that absolutely had to be used. While it’s not as good as it should be with two massive stars splitting the bill, it’s another just-above-average entry into the surprisingly difficult to nail “Action Comedy” genre.
Immortals: King Hyperion will stop at nothing to obtain the Epirus Bow, but he faces an unlikely challenge from a peasant trained by Zeus himself. Directed by Tarsem – as you’d expect the clothes, masks, set designs and attention to detail is immaculate. It’s also technically impressive, well shot, and a good blend of CGI and real images that other directors would shun away from. Tarsem has some moments of intense vivid uber imagery (what he does best) however, the producers have clearly forced in as many ‘300’ similarities that the contract would support: plastic skies, million-man armies, traitors, rippling abs, oracles, boring grey colour pallets, scrolling one-on-twenty fight scenes… which everyone’s seen before, loads. The story is put to the front and played out well, although there are times when you think ‘less talk, more rock please’. It’s well cast, with Luke Evans, Stephen Dorff, Freida Pinto and John Hurt standing atop a mountain of decent performances; for a stylised Greek Myth! While it’s very watchable and a decent film, The Immortals and the Fall perfectly illustrate the differences between such an imaginative and unique director doing a stunning self-financed film, and a studio-backed blockbuster with some shining moments.