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Tag Archives: Brains

Sunshine Cleaning: to ensure her son can get a good schooling, a struggling mum enters the lucrative, but stomach-turning, crime-scene cleanup business. The best part of this is that it’s fairly funny and upbeat considering the grim subject matter; the characters aid this most, other than the most annoying kid in history – If that was my spawn I’d have beaten him into shape by that age. Emily blunt looks great as an angsty goth, nails the accent and steals the show for me. Amy Adams was solid too – but was clearly during her ‘must have a scene in my underwear’ phase. Chloe form 24 once again plays her bread and butter TOTAL WEIRDO role – needs to diversify! The direction and story are both simple and effective, although it goes a little off-chorus in the final third, but enough groundwork was put in at the start to give this a nice indie sleeper-hit feel to it. Sunshine Cleaning cleverly walks the line between funny and serious, and successfully avoids become farcical or gloomy.

Score: 6/10

Super: A socially inept weirdo with ‘visions and voices’ creates the alter ego superhero, ‘The Crimson Bolt – armed with a monkey wrench, pipe bombs and the catch phrase “Shut up, crime”. It’s the total opposite of everything you’d expect from a superhero movie – the characters are all deeply flawed, the humour is super black and is contrasted with some full-on bone-crunching, brain splattering violence. Technically, it’s also very different, with a lo-fi handheld style and toe-tapping indie/pop soundtrack that give it a unique, botique, wholesome style – I was sold from the TSAR opening credits. The biggest hit is Rainn Wilson, he’s utterly fantastic, pitches the character perfectly, and genuinely makes the movie. Kev Bacon is great as a scumbag, and Page does a decent job as a foul-mouthed youth. The humour is twisted and black with a deep, dark streak running through the movie – very awkward, offbeat, black, but really really funny (“The Finger of God had touched me”, “Don’t steal, don’t molest kids, don’t butt in line”, tentacles, the sex scene… it’s all absolutely mental). On paper Super looks like another Kick-Ass, but everything about it is different and unique, which makes this a little indie belter that stands out from the copy/paste films in the superhero genre.

Score: 9/10


The Girl Who Kicked The Hornets’ Nest: final part of the Millennium trilogy, following on from the Dragon Tattoo and Played with Fire. Continuing the downward trend, this looks and feels as bland as most TV movies – 0% cinematic and very little excitement or tension. The plot slowly meanders down two paths: a rehabilitation / courtroom saga for Lisbeth and yet another investigation for Mikael. It’s far, far too long (147 mins) given how little the plot progresses and how pedestrian the story is. While the acting’s still great and there’s a tiny bit of steam left, the focus here is entirely on wrapping up the 2nd film; which was already well below the brilliant stand-alone whodunnit, Dragon Tattoo. Most telling, even when walking out of the cinema I could only recall a handful of good scenes. Fire and Hornet could probably be edited together, cutting out all of the bloated story & characterisation and focusing on the excitement and drama that’s been so diluted in these behemoth instalments. The Fincher re-makes will have trouble competing with the first film, but the other two are his for the taking. A dreadful final chapter, and for closing up a tale that’s over 7 hours long the ending was such an anti-climactic disappointment.

Score: 3/10