Big Bad Wolves (aka מי מפחד מהזאב הרע, Mi mefakhed mehaze’ev hara): Three men’s lives come to a head when a child is murdered and the hunt for the killer intensifies – Israeli black comedy horror/thriller. Off the bat this is a very odd mix that flips from gruesome child murders straight to bawdy comedy with no hesitation. Centered around the question of “is he / isn’t he guilty” the main chunk of this plays out like a Mystic River / Prisoners dilemma… showing normal men becoming monsters. The torture scenes are very visceral and gnarly, difficult to watch. It also starts becoming darkly comical in the last act, as the multiple – seemingly innocuous – strands are brought nicely together. Hailed by Quentin Tarantino as the best film of 2013, this is one of his shout-outs that is actually worth a punt!
Prisoners: When two six-year-old children go missing the local detective and one of the parents try to solve this with two completely different methods. This has a great cast, and leads with Jackman and Gyllenhal, who are both in great form; one as an unconventional detective, he other as a pragmatic father with everything to lose. I feel rather sorry for Paul Dano however; he only ever appears to get cast as creepy and/or insane and/or perverted characters. The film’s mood is beautifully crafted: it’s slow, brooding, and intense with lots of sustained anxiety – child abduction is a heavy enough subject, but when you add torture and a potential creepy cult into the mix it’s serious stuff; it reminded me of watching Kill List and feeling suffocated in parts. The city and the suspects are perfectly shot to look grimy, grotty, dilapidated and repulsive. Although it centers on a ‘micro drama’, there are plenty of larger questions and ideas lurking in the background, challenging your viewpoint and making you choose who’s wrong, who’s right, who would you be in this film? Prisoners is a completely gripping and compelling thriller about ordinary people in extreme situation; and while it’s not an ‘enjoyable’ film per sé, it’s completely immersive.
The Factory: when his daughter is taken by a kidnapper who has successfully evaded him for years the clock is ticking faster than ever for a Buffalo detective. Featuring Cusack, and a similar type of story, you may expect something like The Frozen Ground; or a movie like Insomnia, Se7en, Mystic River etc… Unfortunately, this isn’t in the same ball park. The story’s horribly clunky, and the clues/pointers are even worse – in particular a ridiculously bumbling angle about fertility and infertility which would stick out in any dialogue. The film (and detective) flounder from missed clue to missed clue before it throws up a preposterous ending – complete with flashbacks for those at the back not paying attention. The title of the film makes no sense until the last 2 minutes of the movie – which is also distracting. Character-wise you’ve got the clichéd married-to-the-job detective, rookie sidekick, and a kidnapper that should have been demented and scary (Buffalo Bill style), but was played like a comedy redneck character. Despite a promising synopsis and Cusack in the lead is not much more than a bottom of the barrel, bargain bin, by-the-numbers, straight-to-DVD, B-movie with an A-List star and some TV actors (minor characters from Dexter, Good Wife, Arrested Development).