The Villainess(aka Ak-Nyeo, 악녀, 惡女). an elite assassin goes on a rampage to win back her freedom. This opens with one of the most intense and enjoyable rip-roaring action sequences in recent memory, where no fewer than 50 henchmen are dispatched in a 6-minute point-of-view frenzy of shooting / stabbing / and kick-punching – think of the Oldboy‘s infamous corridor scene, but from Hardcore Henry’s perspective! The film also ends with an equally-impressive action finale involving a bus and a lot of great stuntwork / choreography. It’s peppered throughout with shorter bursts of ultra-violent, and undeniably ‘cool’ blood-spurting over-the-top moments. As you’ve probably guessed, the action scenes are second-to-none… however, they only total around a quarter of the 120 minute runtime; which is a shame as the film if being sold as purely an action film in the same vein as The Raid (the UK poster namechecks Kill Bill, Nikita, John Wick, Hardcore Henry, and Hong Kong Era John Woo!!!). The problem with these comparisons are that – as an overall film – The VIllainess nowhere near as strong as those classics. It’s also lacking in originality in that you can see where shots / scenes / characters have been lifted wholesale from the aforementioned movies; for example, the lead’s backstory is identical to Oren Ishii’s of Kill Bill. The story jumps around the timeline in a manner that is unnecessarily confusing until the final act, where it all kinda (?) fits together. Despite being built from bits and pieces of other action flicks, the action scenes in The Villainess are still inventive, great fun to watch and the spectacle (+ “how did they do that!?” factor) of these alone should entice genre aficionados. It makes it all the more frustrating that these scenes are lost in a flabby, overlong, underwhelming, and melodramatic plot – which could have done with losing around 30 minutes to make it a tighter and more focused / straight-forward action film.