State of Emergency
State of Emergency: Accident at a chemical plant. Lone survivour. Mutant zombies. Barricaded in. Headshots and axes… You know the drill. What sets this apart from the tons of zombie movies out there is that it has an indie sensibility about it. It’s heavily character based, spending the entire time with Jim and his backstory – the only drawback is that it’s fairly familiar. There’s a few action scenes, but more impressively, several very well crafted moments of crazy tension and all-round creepiness. The film tips it’s hat towards Romero through countless references, and while that’s no bad thing, it does miss out the very important ‘social’ slant that elevate the Romero films from good to fantastic. The zombies are pretty cool, standing ominously still – relying on hearing – then hulking out and fighting! One even talks, which is a bit weird. It also looks very slick, being filmed on Red Ones. State of Emergency feels quite simplistic held up against its contemporaries, like a throwback zombie film – and while it may not be the most original or action-packed film in the genre, it’s a solid watch, and shows some great potential from Director Turner Clay / The Clay Brothers.
I find it oddly endearing that you have a tag for flicks shot on RED cameras. I’d actually never heard of this one, but I think I’ll keep an eye out.
RED indeed, don’t know why, but there’s something that’s just eye candy about films shot on RED – even at DVD quality they look fantastic. Just wish I had a spare £10,000!!