Blue Valentine: full-circle relationship drama focusing on a young all-American couple. This one’s independent to the core: indie Soundtrack, lo-fi visuals, handheld camcorder / shaky vibe – R-Gos even busts out a ukulele for a serenade at one point, in a scene that’s sweet enough to give you diabetes, or cringe-worthily comparable to dental work – depending on your stance. If there ever was a film aimed specifically at Noah and the Whale / Modest Mouse fans… this is it. The story itself is uncompromisingly banal, refusing to go anywhere, and with the indie style, it feels more like a fly-on-the-wall than drama in parts. Chronologically shuffled, it bounds between timeframes, making the mood warm and fuzzy, then ice cold, then fuzzy again… Despite a dull, mumbly script Gosling and Williams are the only aspects that kept me watching; they clock in some serious dramatic mileage through the convincing everyman/everywoman relationship scenarios. Overall, this is a tough one to rate: Blue Valentine wants to be rooted in the real world, yet it’s cast two beautiful Hollywood stars; it wants to be crushingly realistic yet has a rose-tinted cinematic romanticism outlook. Rarely does a film hang so heavily, or rely so much on two people, and in this case, two solid performances couldn’t make this special.