The Heat: a talented but unlikable by-the-book FBI agent is paired with an unorthodox-but-gets-results detective. It’s one film where FBI could mean ‘Female Body Inspector’ like those awesome t-shirts you see guys wearing on holiday (aside: they’re not awesome). Bullock is clearly going through an “I work hard on this body, so will show it off as much as possible” phase… no complaints over here. Joke-wise, it’s got a few good laughs, but unlike Bridesmaids original script the funnies here are much lazier; with Boston stereotypes, racism, vulgarity, and albinos doing all the work. The elongated drunken montage / gratuitous dance scene underlines that this is definitely more humor than humour. At two hours the film outstays its welcome a little; every scene (and joke) feels stretched out to the max, and it feels like there was a lot of ad-libbing that nobody was allowed to cut out. Other than the central pairing being two wimin’, there’s not much here that we haven’t all seen before. The Heat started off quite strongly, but soon went down the well-worn ‘mismatched buddy cop’ path: but you expected something different – or better – given the caliber involved.
Arrested Development (Season 3): Michael Bluth is still trying to keep his dysfunctional family together – and they’re doing their best to screw everything up. This series coasts a little more on the established gags like the Bluth lessons (why you should always leave a note!), rather than creating new ones; some old plot-lines and characters are also written back in to beef up the story. Because it was the last scheduled season, the final few episodes felt obligated to tie-up the loose ends like the Iraq “light treason” court case, cousin love etc – which was good to see, but feels more forced than the usual completely unrelated antics. Once again the two stars of the show are the cast and the writers – you just don’t get it this good on both sides very often. As you’d expect, Season 3 is still great TV, but it doesn’t feel as fresh or funny as the first two series – the episodes aren’t quite as tight, or packed with jokes, and some of the bigger laughs stoop down to things like rude language (pussy/fags) and retards; which previous seasons didn’t need to fall back on. However, those niggles are minor, and Season 3 ensures that the show remains one of the greatest comedies of all time.
Arrested Development Season 1 Review
Arrested Development Season 2 Review
Arrested Development (Season 2): with George Bluth on the run, the family must march on without him, and Michael must keep the Bluth Company – and his family – under control. This is my third time watching through AD and in reflection it’s so obvious why a show like this was destined to fail on TV. The biggest problem is that the running gags are subtle, and would be easy to miss if there were 7 days (let alone weeks) between the episodes. With the DVDs however, you can bash through a season in a few nights and really appreciate the fine writing. In saying that, S2 tries to address this by having clusters of jokes that are confined to an episode; like the ‘Charlie Brown’ slow walking, Gene Parmesan, etc. The biggest step up for me is lot more brilliantly timed physical comedy: chicken dances, face pulling, slipping, and Mrs Featherbottom’s spectacular Mary Poppins moment. Once again the brilliant ensemble cast of comedic actors does great things with well-written characters. This should be mandatory viewing for anyone that enjoys comedy TV – almost a decade later and it still puts most shows to shame.
“I just blue myself”
Arrested Development (Season 1): when the CEO of the Bluth Company gets jailed for fraud (and light treason), one son must step up and take charge while the rest of the dysfunctional family try to get back on their feet. This is an absolutely explosive combination of fantastic writing, stellar casting, and perfect comic acting / timing. The 20 minute episodes are so tight and neat – not a single word is wasted, and everything is relevant to the plot or character development, to be used somewhere down the line. For a comedy, every main character is funny, well-played and developed over the season. And, for something this upbeat and watchable, it’s remarkably dense, layered, lean & efficient. Arrested Development is the holy grail of comedy; fun for casual, first-time viewings, but rewarding for repeat viewings as you’re able to pick out more and more running jokes, themes and catchphrases. Unmissable comedy.
The Informant!: follows ADM executive Mark Whitacre, and his turbulent relationship with colleagues and the FBI during a global corporate price-fixing conspiracy. What hits you first is the lo-fi, softly lit yellow hue’d, old-skool, late 1960s TV aesthetic that dominates the style – no film has looked like this for decades, which makes it stand out. To match this there’s a snappy, finger clickin’ jazzy soundtrack with a hint of old spy movie about it – no coincidence there. Damon is superb as the conflicted lead in both his performance and physical transformation – a tubbier frame, moustache and wig puts decades on him. The supporting cast are interesting choices given the number of out-and-out comedians giving restrained performances – but it works. The Informant! boils down to being a two-man show: one at each side of the camera lens. Soderbergh has taken a massive corporate crime story and turned it into a quirky little white-collar caper – and whilst it’s entertaining enough, the story would have had more impact as a flat-out documentary.
Stranger than fiction: (Blu Ray) It feels like a watch advert to begin with, then turns into an outlandish narrator hostage situation – won’t give the story away, but it’s pretty original. What’s most interesting is that you’re not used to seeing WIll Ferrel play the serious everyman, which he does a decent job at despite being out of his comfort zone. Someone also needs to stop casting Queen Latifah as motivational!! Maggie Gyllenhaal balanced it out by rocking my loins for the entire film. The picture’s crisp but there’s nothing really worth seeing here, the sound mix is dull, but the original audio is great. Similar themes and story to Eternal Sunshine / Being John Malkovich / Adaptation so check it out if you like those. I guess the main thing this film has over others is the fresh twist on life and who’s in control of it. It’s quite witty and intelligent, with a fantastic idea but I just can’t put my finger on what was missing.