Archive

Tag Archives: Tate Taylor

the-girl-on-the-train-water-bottle-hack-emily-blunt-rebecca-ferguson-haley-bennett-justin-theroux-luke-evans-allison-janney-edgar-ramirez-lisa-kudrow-laura-prepon-tate-taylor

The Girl on the Train: follows a homo sapien with two X chromosomes on a track-based transport vehicle. Seriously though, blackout drunk alcoholic becomes involved in a missing person case that keeps throwing up more questions than answers. Blunt is outstanding. One of the best performances I’ve seen anyone give in a long time; complaints about her being too glamorous (duh, she is Emily Blunt!!) don’t wash with me, as she’s looked like a trainwreck for the majority of the film. The remaining cast – championed by an equally impressive Haley Bennett – are firing on all cylinders, it’s impossible to pick out a bad performance. Like the best narratives, the film is continually revealing new information that changes how we view the relationships between the main characters, and constantly shifting the focus and blame. It’s also refreshing to see a film centered on three completely different women; providing various view on motherhood, being a wife, and their strange three-way relationship, which are intelligently pleated through one another. I think the off-kilter, dark, and borderline horror tone (screechy strings, close-ups, titled cameras) will have alienated a lot of casual viewers. Critics and book snobs couldn’t beat this film down enough but as someone going in completely cold, it really impressed me: the only part I could imagine tightening up would be the lengthy introduction, but even then, it’s not too flabby. Although it was sold as “if you liked Gone Girl, you’ll love this” I’d sooner watch this again. The Girl on the Train is a gripping, dark, Hitchcockian thriller where nothing is spelled out, and it’s constantly swaying and misdirecting you, through to the revelatory ending.

Score: 8/10

the-girl-on-the-train-therapist-emily-blunt-rebecca-ferguson-haley-bennett-justin-theroux-luke-evans-allison-janney-edgar-ramirez-lisa-kudrow-laura-prepon-tate-taylor

the-girl-on-the-train-balcony-emily-blunt-rebecca-ferguson-haley-bennett-justin-theroux-luke-evans-allison-janney-edgar-ramirez-lisa-kudrow-laura-prepon-tate-taylor

the-girl-on-the-train-couple-emily-blunt-rebecca-ferguson-haley-bennett-justin-theroux-luke-evans-allison-janney-edgar-ramirez-lisa-kudrow-laura-prepon-tate-taylor

Winters Bone Jennifer Lawrence, John Hawkes, Lauren Sweetser, Garret Dillahunt, Dale Dickey, Shelley Waggener, Kevin Breznahan, Ashlee Thompson, Tate Taylor, Sheryl Lee

Winter’s Bone: an old-before-her-time teenager must hunt down her estranged father in order to keep her house, and troubled family together. The general structure of almost any film is: set up, complication(s), and resolution. In Winter’s Bone all three sections consist of Jennifer Lawrence running around in the wilderness looking for her dad, which is so flat and one-dimensional that it tires very quickly. Almost every scene plays out like this – “Is my dad here?” “Can’t tell you child”, “tell me”, “no” – repeat x40. It’s also tear-inducingly bleak in it’s visuals and style – everything greyed out and void of any interest. It’s all a bit Cormac McCarthy-esque, not unlike The Road. Lawrence is decent – in a HungryGames style role – but the standout for me is her uncle Teardrop (John Hawkes) who is absolutely spellbinding. What with all of the plaudits this comes with, you can’t help but feel a bit cheated by it. A very, very solemn version of “Dude, where’s my Dad?”

Score: 3/10

Winters Bone 2 Jennifer Lawrence, John Hawkes, Lauren Sweetser, Garret Dillahunt, Dale Dickey, Shelley Waggener, Kevin Breznahan, Ashlee Thompson, Tate Taylor, Sheryl Lee