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Spring Breakers Bikini Hot Pants Cutoffs Harmony Korine, Benoît Debie, Ashley Benson, Vanessa Hudgens, Selena Gomez, Rachel Korine, James Franco

Spring Breakers: to fund their Spring Break, a ‘curvaceous quartet’ of gals rob a diner, which leads them to a decadent gangbanger rapper called “Alien”. Not one to watch with your parents, this opens with some terrible dubstep, and bikini babes partying (and a record-breaking 30 seconds ‘til the first slow-motion beer-covered tiddies). Despite being so sensational in parts the runtime hopscotches between a) surreal mix of “poignant & brilliant coming-of-age moments” (some of the most authentic-feeling ‘college girl’ insights) and b) “handheld/realistic/hedonistic Girls-Gone-Wild-type shenanigans”. It uses a very peculiar – non-standard – cinematic language that takes a while to tune in to; feeling almost dream-like, or stream-of-consciousness. Something more akin to a music video or (trying my hardest not to sound like a wanker here) “Liquid narrative”. There’s a heavily saturated / neon-drenched / golden hour colour palette that bumps already strong imagery up to the next level. Although it sells the film short; Spring Breakers feels like Michael Bay, Gaspar Noe, and Nicolas Winding Refn (content, narrative, cinematography respectively) got together to create a subversive alternative to the coming-of-age genre. The pairing of director Korine and legendary cinematographer Benoít Debie has produced something so sensorial and peculiar that it’s impossible to articulate. Is Spring Breakers a great film? Doubtful. Is it an important film? Possibly. Is it an interesting film? You bechurass it is!

Score: 7/10

Spring Breakers Neon Dock Harmony Korine, Benoît Debie, Ashley Benson, Vanessa Hudgens, Selena Gomez, Rachel Korine, James FrancoSpring Breakers Bikini Arrest Handcuffs Cops Harmony Korine, Benoît Debie, Ashley Benson, Vanessa Hudgens, Selena Gomez, Rachel Korine, James FrancoSpring Breakers Balaclava Harmony Korine, Benoît Debie, Ashley Benson, Vanessa Hudgens, Selena Gomez, Rachel Korine, James FrancoSpring Breakers Bikini Line Up Bra Panties Harmony Korine, Benoît Debie, Ashley Benson, Vanessa Hudgens, Selena Gomez, Rachel Korine, James FrancoSpring Breakers Title Card Neon Poster Logo Harmony Korine, Benoît Debie, Ashley Benson, Vanessa Hudgens, Selena Gomez, Rachel Korine, James FrancoSpring Breakers Bikini Court Arrest Harmony Korine, Benoît Debie, Ashley Benson, Vanessa Hudgens, Selena Gomez, Rachel Korine, James Franco

Rudderless - Billy Crudup, Miles Heizer, Anton Yelchin, Felicity Huffman, Laurence Fishburne, William H. Macy, Jamie Chung, Ben Kweller,Ryan Dean, Selena Gomez, Kate Micucci

Rudderless: after his son dies in a school shooting a grieving father finds his musical demos; learns them, plays them live and inadvertently ends up in a band that’s becoming successful. It’s all about the music, kind of like that film Once, but doesn’t suck hairy Irish balls. The musical aspect of this is solid; with believable songs and a good portrayal of gigging, jamming, the minutia of band life etc. The plotline is also an interesting take on taboo/sensitive material, and runs along nicely – if a little slowly – until the last act where it becomes more of a paint-by numbers affair, as the loose ends get tied up. Performances are top drawer too; Crudup is strong, and pulls you right in to his situation – it helps that he can play guitar and sang. Fishbourne steals all his scenes, and it’s clever casting Selena Gomez in despite being in 2 just scenes. Some would probably point out that the characters are thin, but it feels deliberate, in order to force the audience’s interest – enough subtle hints are laid out in the script for you to piece things together, and only key elements are eventually explicitly mentioned in the dialogue. The only major thing that bugged me was the continuous non diegetic music trying to manipulate you in to feeling what William H Macy wants as each scene plays out. As far as directorial debuts are concerned, WHM couldn’t have done much better; an interesting and compelling story, well acted, shot and edited – but was just a little too low-key / indie / shoe-gazing to fully enthrall.

Score: 7.5/10