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Tag Archives: Roman Polanski

Before…

Chinatown: a private investigator is led blindly into a complex conspiracy involving murder, betrayal and state-wide fraud. What surprised me most was Polanski‘s bland and underwhelming direction – which I was expecting to be stellar given the endless plaudits Chinatown receives. It doesn’t even feel like much of a Noir compared to staple genre pictures like The Maltese Falcon, or even a modern stab at Noir, like Brick. The story’s slow-burner, and isn’t always the easiest to follow, but worse still, almost none of the characters developed enough to connect with – they just seemed to be there to facilitate the next plot twist. When it finally rolls around the final act is as good as the film gets, but it feels like too little too late – it also may have been crazy / shocking / controversial back then, but when held up against the shocks we see these days, it carries a far lighter punch on modern audiences. For me, the combination of story, direction, acting, script and overall ‘wallop’ are average at best; although I suspect that having appeared in almost every ‘best films ever’ list, maybe the bar was just set far, far too high.

Score: 4/10

... after.

… after.

The Ghost (Writer): A Ghostwriter replaces his predecessor who died under mysterious circumstances, as he researches and re-writes the memoirs of Britain’s ex-Prime Minister all is not what it seems on the surface. It’s a pretty generic conspiracy story, and just when it’s starting to drag everything happens in the last ten minutes, which feels a bit rushed: the ending’s quite disappointing / obvious but the final scene more than makes up for it. It’s very contemporary, political, and unashamedly based around Tony Blair; portraying him in the worst possible light! For a political movie the script’s quite warm and funny in parts, and other than some dodgy accents the cast are pretty solid – Cattrall’s just a more educated version Samantha, Olivia Williams is all over the place but you can’t go wrong with the Broz or Ewan McGregor. The main star for me though was Polanski, whose direction is outstanding (especially given he was under house arrest!). He lets this thriller tell itself, with no fancy trickery and just plain old-fashioned brilliant directing. Definitely worth a watch if you like this type of movie.

Score 7/10

Note: As mentioned on Have I Got News For You: the film’s been given a 15 certificate in the UK, Polanski swears it’s 18!